yeah its surprising how different they can sound even if they look the same.
love when a song hits you with a tight lead thats just a simple waveform.
especially when the character of the sound comes from carefully crafted amplitude volume and portamento timings/shapes.
Does the cascadia count if I only use Osc B for FM? It really feels like itās mostly a one Osc synth to me (using it for a pair of detuned saws seems like quite the waste), but boy what you can do with that one main oscillator.
The MC-202 ha@ a certain loveliness, as does the Lifeforms SV-1 in single osc mode; and the 0-Coast too. The Chimera BC8 is its own kind of special though, and I can drone with that for hours. And as for the SH-1, well thatās even more special, even with a knackered oscillator and dodgy filter as mine has.
The Blade wave output of oscillator 1 on the Pittsburgh SV-1. Per the manual: āa modulatable double frequency saw waveā Disclaimer: Iām not into Trance
I know itās not a single OSC synth, but I often find I only need one OSC on my Moog Matriarch⦠it sounds so sweet just with OSC 1, I often donāt go beyond that.
Iād love a compact version of just one of the Matriarch oscillators.
I like this thread⦠I feel like we would all enjoy an āEmbracing Limitationsā lounge.
Interesting point, but itās still a single oscillator though? Itās just a different waveform, a mix of the two outputs. Doesnāt have to be square, saw or some other āstandardā waveform to qualify imho. But maybe weāre entering a grey area
I have an old monosynth where VCO-1 has two separate outputs going to the mixer. Output 1-A is a 5-octave square wave āorgan styleā mixer, and output 1-B is a standard VCO output with selectable waveforms. You can get very rich waveforms out of this oscillator, but it still feels like a single oscillator as long as I donāt bring in VCO-2.
i can think about two main differences with multi-osc architecture:
ādifferent waveforms are always perfectly in sync with each other
āwe can shift octaves for particular waveforms, but thatās all, no detune by semitones