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I will make it short :
Last year, in avril, i began a construction in my garden…

It took me lot of time. Rain season was long.
Now i’ve done the hardest. Hope i will finish for end of 2024.
Now my friends can sleep in my lost country

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Splendid.

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Virtual Reality is the Cure.

I am not even greedy. I just need $10k to complete my studio. That’s it! Please powerball gods, make it happen tonight.

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Yes, I’m going to invest in the acoustics, I’ve spent so much on everything else. It all has a solid value so all good. Nice effects and so on. Nothing excluded.

Made this in JWildfire this morning, pleased with it.

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Where is this? :slight_smile: We’ll come visit!

Sylvia Hinz - dismantling reality

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Thanks for the good times i go raving. :rofl:

Cleaning a scratchy pot on my X0xb0x.
Clean acid is good acid.

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I did it.

Copacabana ambient music:

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Found my answer in the sewers.

I’m currently learning color correction for films. Or rather for videos, because I want to record with a digital cam. This is test footage and my first result of making a photo appear more filmic.

This was color graded with davinci resolve. I have to see if I can upload the original for a before and after comparison.

If the woman wasn’t smiling and had more dirt on her face from her struggle through nature, it would certainly have been more convincing.

The original Raw recording looks like this:

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Unlimited dosen’t fit. Is it important.

I think I’m getting better. Downloaded another RAW test footage from Blackmagic and color graded it. Original footage was like video, the movemts of the cam, so I was working on a solution to achieve this “Motion stutter” effect or whatever it’s called :blush:

Added street noise, some people talking and club music far away.
(Filming location was under the “Castlefield Bridge” Deansgate in Manchester)

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For the record, if you read the site rules of engagement, we are not obliged to remove anything you previously chose to post on here. So please stop creating grief and abusing admin

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🥹🥹🥹

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i listened to this after listening to “you never can tell” (1964 version) on headphones.
blues heads question: mono version came out in 64, stereo in 67, did leonard mix both?

i’d love to hear him talk about the studio setup more. of course the radio interviewer is more “names” than equipment. but it’s touched upon a few times! and i’m tempted to say this could be the first reference to a “dub” recorded to tape, he clearly could talk more on the subject. his sound influenced so many people in so many ways.

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