Judging from my experience, there’s definitely an inescapable Sequential vibe to the synth that remains pervasive within all that it can potentially do.
Other more capable users will likely disagree with me, but I don’t find it to be a blank canvas for sound design. It almost always sounds like some sort of amazing analog poly synth.
The mod matrix has its quirks that may annoy you (some routings result in paraphonic modulation behavior, some others produce no perceivable results) and all of the LFO waves are unipolar (why?) except the triangle.
In spite of this, it’s really inspiring to play. I’m still impressed with how good it sounds even after months of owning it.
If you need more sound design options, the Take 5’s small footprint, knob-per-function interface, and velocity/aftertouch capabilities allow it to also be an efficient controller for broader VST synth engines (I use it for Pigments as well).