Can’t believe this guy doesn’t have a thread dedicated to him.
So here’s a thread dedicated to him.
Russell is the shit.
I’ve been a massive fan since I first became aware of him via MiniDisc by Gescom. That album totally blew my mind. Completely changed the way I looked at how music could be put together and arranged. I still think it’s one of the best albums ever released and I’d say it’s probably the biggest influence over my own music.
The first time I saw him live was supporting AFX in London like 2001 or something. He played after AFX and all the hipsters fucked off pretty sharpish. You could still shock people with noise music a bit back then, so it was fun. My girlfriend at the time fucking hated it, but it was right up my street. Was the same sort of stuff as on his first Live Salvage album, but nastier if I remember rightly.
Live Salvage was the soundtrack to the last couple of years of university for me. Barely a day went by when I didn’t listen to at least something off of it.
But it’s probably his collaborative work that’ll earn him the biggest respect.
He’s worked with so many people, but I fucking love his work with Yasunao Tone. They’re like two halves of the same person, it just works so well.
And his work with Merzbow, obvs…
It isn’t all horrible noises though, his gentler, more musical side is just as powerful, like this absolute banger feat. the legendary Sue Tompkins (if you haven’t heard of her then go fuck yourself, she’s the greatest).
And his drum programming is about the best there is.
He really has to be experienced live though, on a decent system. He’s fucking hilarious too. Worth it just to enjoy him announcing his tracks. He’s one of about 5 people I’ve ever seen make something good with Eurorack.
He doesn’t give many interviews, but here’s an interesting one from years ago.
New EP on Kasm is excellent.
https://youtube.com/playlist?list=OLAK5uy_m8UevLKJ0d6Pkl1LHguULKk_qp-bOP3k4&si=vEDxVqmIM6cW6JNe
I’ll stop now.
Fucking stalking the bloke mate.