step sampling allows you to record x number of equal length samples, one after another, with a pause in between.
Basically, you adjust mono/stereo, then select your sample rate, which can get you:
44.1kHz, Mono: 5.9 seconds
22.05kHz, Mono: 11.8 seconds
14.7kHz, Mono: 17.8 seconds
11.025kHz, Mono: 23.7 seconds
Total sample time: 283.2 (seen 285 listed? shrug) seconds in 44.1k mono (48 x 5.9s).
Max sample time at 11.025khz, Mono: 1137.6 seconds
For stereo samples, cut the sample time in half. Then to know how long each step sample will be, divide your sample time by the number of steps you selected.
You adjust the number of steps by holding SHIFT and turning the PITCH knob while in sample mode, and this goes from OFF, 2 -> 64. The amount of
From here, you essentially press sample, the screen will say STBY (standby), and then once a sample crosses the threshold it will begin to record for that step length. Once the recording for the step is done, it will say PAUS, and wait for you to press the sample button again before going back to STBY. You repeat this process until you have recorded all the samples you want.
So no… it won’t really chop a sample for you, but it will allow you to transfer/make a drum kit, or record chords, or whatever, pretty quickly, and fit it all within a single sample.
Whomever at Roland decided to put a seven segment numeric screen instead of a little OLed or 2 line display…
Give that person a raise and a Ferrari immediately! No S-post, I’m serious. Not having some screen distracting me, not seeing waveforms, I just get to sample, listen, tweak, and enjoy. It’s a fun and relaxing switch from my big boy samplers. I end up just trying stuff without worry that I have to ‘accomplish’ things or ‘master’ my equipment.
I feel lucky that I get to make music without any goals, other than personal enjoyment. This, like all my other gear, get me there and has the tiny pick up and play vibe which encourages me to do just that.
I’m going to have to use my MPC today so it doesn’t get too jealous of the P6. Maybe today’s first try will be a cook up on the Akai, then sample that into the Roland for a little chop n’ tweak.
The second experiment will be to setup the P6 as a send/return effect with My BB to resample through the Roland FX. Exciting times.
THey put the display ABOVE the knob… so when you’re twisting the knob to look for parameters and values etc, not only does the KNOB block your view, but your fingers do also.
They should have swapped the value/tempo knob and the ‘display’.
You can always tell when the engineers and designers are not the same people as thos who use the device.,
ALSO BATTERY:
the batter charge time is WORSE than 1:1. Meaning. I took a FULLY charged P-1, played around with it non-stop for an hour and nine minutes. Then immediately plugged it in to a turbo charger (provides 2A for non-quick charge) and it literally took a hour and thirty minutes for the green light to come back on.
I did not say it’s bad, I love it. I have two pieces of gear with red segmented displays. They’re radical.
You use the battery? That’s crazy! Mines always plugged in, it’s never run out for the week or so I’ve had it. Constant smooth jazz hits flowing.
Oh I’m sure very manufacturer could do better. Every single one. But I am 100% fully satisfied with the piece of gear and how its works. No regrets, just lots of sampling and music making fun.
I think they should up the price another $30, now that I have mine. The designers deserve more Ferrari’s.
thanks for letting us know about this, I definitely assumed the batt life would be plentiful being such a small unit, I’m definitely planning to hardly ever plug mine in while using it… if anything changes/ gets better with yours please let us know