looks like a great portable tool for a virus snow! now I want them both as my virus keyboard is a lot bigger.
It is simple and yet allows for many possibilities in a highly portable and user-friendly form factor.
Beyond notes, you can record automation on a separate track. You can also record everything on the same track, then filter out any events you donât like to have on that track: eg record your piano with sustain as you like it. Then remove the sustain cc, re-record the latter on the same MIDI channel but on a different track. This works with other ccâs all the same. You can also âexplodeâ a track to several tracks or âmix-downâ several tracks into one, etc.
Itâs a pretty nice experience once muscle memory kicks in - which it does pretty soon.
I think its only true negative is the event memory, which at 64kB per song, can be too small for modern professional needs. These days, memory is usually the last thing you want to worry about. For song sketching, simple accompaniment or track preparation, the available memory is more than enough though.
With MPE, it also works but there are a few caveats:
- 16 bars of 8th notes will cost approximately a third of the songâs memory but it still works;
- note off velocity is currently not processed;
- quantising wonât work well for obvious reasons and neither do velocity transforms when the controller only transmit aftertouch to handle âstrikeâ (eg Osmose, Continuumini).
I use it together with Blackbox, with the latter being the master clock.
I think itâd work pretty well.
The benefits of using the RK008 with OT is you get actual polyphonic midi recordings, which will work better than recording in the notes on OT steps.
Youâd also be able to get longer running loops on the RK008.
As a bonus you could use the second RK008 out back into the OT to get some extra free form modulation.
Late thanks for taking time to offer all that useful info.
My RK just arrived, learning it now âŚ
Thanks for the response, good to know. Can it take a decent amount of CC message recording before it maxes out its memory do you know?
This depends on the resolution of the cc messages. A fine MPE controller such as the Osmose generates really a lot of cc messages. See my post here above for the limits with ccâs generated by Osmose. That will give you the worst case.
Nice one thanks Iâm not massively familiar with MPE midi messages but from what I can see each note press on the Osmose is sending quite a few CC messages, but the OTâs midi sequencers are more rudimentary messages so it should realistically be able to record a fair bit
You can always ask on the RK forum or use their contact form to get a direct answer from the builders. After all, given the price it is best to check beforehand whether it will fit your use case.
A new OS update is out. It fixes some issues and introduces MIDI FX such as arp.
Havenât tried the new firmware yet ⌠just checking in to say as a new user that I love this little box.
All of a sudden I am using the S-1 and Volca FM2 more, because I always liked the synths but would get frustrated with them standalone because the sequencers didnât really suit what I wanted. The RK solves all that, I can play and write freely.
The timing also feels very solid, I can play syncopations in unquantized mode and they come out sounding tight. I think the relatively low maximum timing resolution (is it 96 PPQ when unquantized?) is just right, at least for meâit cleans up sloppiness but doesnât push notes into the wrong places.
This is what a Volca or âRolcaâ Sequence should be, if there were such a thing. Small, battery, interface is workable, TRS MIDI A is compatible with Korg and Volca, just connect MIDI in and out with little stereo cables.
One initial speed bump ⌠it took me a sec with the manual to grasp the importance of quick-saving (ALT + REC) before powering down. Prior to that, my sequences would seem to be saved (could go to another sequence, then come back to the sequence Iâd written first and it would still be there)âbut powering down would kill the sequence. Quick saving solved that.
Very pleased so far.
https://www.youtube.com/shorts/4hMjY6TaHEg
the new event editing it pretty neat too
THAT looks interesting
If the Osmose is similar to Linnstrument with all axes turned on, which I imagine it is, I did not get much before getting a bummer dude message.
When using RK008 with linnstrument I turn off everything except note and velocity unless absolutely essential for what iâm doing, If using pressure, pitch etc, I run the âTHINâ function afterwards to optimise memory usage.
could you please quantify? resolution, speed, bars?
Yeah, watching the videos even from Gerrit himself wouldnât be as helpful as a well-written manual with more simple use cases.
Now at 2.35
FIXES:
- BLE Core update
Solves M-Vave connection problems - Flex Part Length scaling
Note lengths are now also scaled when using flex-type part length rescaler
There was a raffle for retrokits customers planned for late december, but I donât find any info about it anywhereâŚAnyone knows if it actually happened ?
Updated to v2.36
-
Momentary Erase
While you are in REC mode and are playing back MIDI, pressing 0 engages a temporary erase head, like pressing a magnet on a tape so to speak: Keep it pressed to erase MIDI data as it passes the MIDI playhead. You can listen to this while playing, if you donât like what youâve erased, pressing STOP will continue playback and undoâs the momentary deletion. -
StepTime recording now has a 1-bar time interval
You could already press digit 6 in stepTime edit to swith to 1/2 or 1/2T length in playhead advance, but now pressing it again also advances to 1/1 or 1/1T intervals -
Song mode index counting
Song mode part index started counting from 0 (also the step indexes in stepTime edit). You could already make the stepTime index start counting from index 1 and now, when this is activated, the SongStep index also starts counting from 1
You can change this counting offset in âInfo and Tweaksâ on the system menu:
ALT+9, 5 x >, REC,3 x >, 1 so the screen says STEP1 (revert to STEP0 by pressing 0) -
Arpeggiator FX Expansion
The arpeggiator has three more entries at the end:
- RNDKEY - randomizes the arpeggio input note with a number of notes
- RNDVEL - randomizes the arpeggio input note velocity
- SCALED - adheres arpeggiator output notes to the selected scale in ALT+1, >,>
More on the MIDI FX:
This little MIDI workhorse is getting better and better!
Barely time to blink and 2.37 is out
FIXES:
- Enable recording again after loop when you have used the playhead eraser
- Stop recording in non-looped mode when part-length was set before recording
- MIDIFX_CHORDS always initialized some params to default
MIDI FX ADDITIONS:
- MIDI FX names now 5 characters, added:
-
MIDIFX_VEL2C
Note velocity to CC converter (first version; experimental) -
MIDIFX_KEY2C
Note number to CC converter (same as above) -
MIDI Delay
Creates real-note clocked delay FX via MIDI