my main thoughts initially was more some basic audio editor tools / functionalities
(to me it was just too expensive to just granular control other the slice, more acceptable as a full audio editor for Reason devices and audio track)
but now it’s free so, I can’t complain anymore
Edit: I just see your edit so nevermind “with just”
Happy memories from recycle - I got the paid version years ago as well but I think this new one looks and feels a lot nicer on a modern machine.
I’d love to see them bring back SDS support to make it smoother to chop and send to my S3000XL, I know it takes a while and it’s probably easier just to bounce or sample over audio, but I just really liked that feature.
I think I’ve seen yesterday - 5th of May - on YT a short video teasing something that looked like a sequencer / player, but I can’t find it anywhere now. I believed it suggested it will be revealed on 7th of May.
I don’t know man I’m french and sometimes I have my own way of speaking anglish…. I think GOT (was for Winter is coming) and GOTcha I heard James brown But yeah I agree and fix it… hahaha
Sometimes you say something at loud funny and cool, but writing it and no-one understand without the context sorry if it bugs you for ages man a PM and it would be solved
I really like this! Unlike the existing arps, this one actually makes sense to me clearly delineating the ingredients of the sequence, the order of how they interact with each other, the workflow. Good job, RS! I hope it isn’t very expensive, though (can’t see the price at work).
This is really nice, in fact maybe the best designed arpeggiator I’ve seen. The split between the anchor and movement patterns is very smart. Seems like it will be very useful both as a compositional aid and a learning tool, maybe enough that it’s time to buy back in.
$69 is pretty expensive, some cross-subsidization going on here If you look carefully at the movement section, you can see it’s built around a tempo-synced LFO cycling through the pool of chord notes - a triangle for the up/down movement on the odd steps and a variable positive or negative offset on the even ones. Likewise the anchor note section seems to be a filter for the heavier (lower) notes in the chord combined with a slower triangle LFO.
You could replicate the functionality pretty easily in other contexts, wholly in something like Max or partially with something like the Octatrack arp. Or just apply the ideas by hand to a bunch of chords on a sequencer timeline - obviously not giving the instant gratification/convenience but the composition techniques are universal.
You can dock it now, which is hardly an improvement IMO.
I actually warmed up to the floating browser by now and it changed my workflow which is a huge benefit, but I guess some - most? - people should be very happy with it