I appreciate your feedback and I agree, this method has resulted in some of my most productive and rewarding sessions ever using the Digitakt. Here’s a couple follow up ideas for anyone looking into this method:
- Try live recording the trigs instead of placing them in the sequencer manually.
- Try using multiple tracks to play back a single sample.
- Try adding slight changes per track to pitch, pan, filter, envelope, etc to create a stereo image. This makes control all very fun to use.
- Try offsetting trig sequences using FUNC + </> to find rhythmic variants of a sample.
Long story short, I think of Digitakt like Mutable Instrument’s Clouds/Beads, except there’s a whole eurorack case worth of functionality built around it by default