Greetings, the other OT remix threads didn’t touch on this specifically, I shoud know this by now, but before I start another remix:
Last remix basically how I used to do w/ASR, cut the stems up and resample/program/rewrite it.
I noticed that I must have forgotten to rename the files w/BPM because the longer (+64 bar) sections were pitched way low and had to run the OT tempo way up to get them synced.
So I just plug in a 3-digit # in the files then?
I believe I ran them all as flex, too.
I cut them in Audacity, and really didn’t try to figure out there how many bars the longer files are, usually the longest 45 seconds.
Which brings up a noob Q after all this time… I always run flexes thinking I can get all the parameter tweaks and locks since they are stored in RAM.
I understand statics are for longer files, but does this change the nature of tweakability, or is this just a matter of storage space?
Also, to get other OTers on remixes of my stuff, do I copy the Project file to computer and then a separate Audio folder?
I like the idea of people being able to just load up my tracks with all the associated trigs/scenes/patterns etc. and vice-versa. Never worked with a DAW like Ableton, no multitrack, so remixing and sending remixes- I “warn” people I can just send the orig. track with individual sounds and loops and they have to assemble it.
A label I have released on expressed interest in a remix release, so once I get the next album complete, I’d like to see what some of you would come up with!
