Quick update… I feel as though I’m going through the usual tumultuous relationship with the OT that many of you have.
Last night I was pissed at “her”. I spent a ton of time configuring and integrating the OT into my current setup, but I started asking myself is this really better? Or just more complicated?
Doubts were creeping in.
I was buying cables like crazy from Amazon, and following my directive of 1) Determine and write down how I want something to work, and then 2) Do my best to make it work that way (and never do it the other way around).
This lead me to a good setup, and one where I can sample anything I hear into my OT.
However, when I did some composing I learned quickly that I use the DT sequencer as the hub, and the OT was just sitting there. As I worked further, I was saying to myself “OK, let me use the OT to do something just to use it”. Which isn’t a good sign.
The original reason I wanted an OT was to record guitar, and to have a setup I could travel with.
And that part makes sense, but most of my time is NOT traveling, so how do I leverage the OT in my home studio setup?
Then this morning, I thought let me get the OT itself set up more. I needed to set up some drum samples on it, and I had this grand plan of using Parts to jump between modes of working (recording, composing, drums and performing).
When I got a drum loop going, I was really happy with the sound, This came down to having effects on each drum, and I could really dial it in with the filter on FX1. I got the OT sounding like the DT (which I’m very happy with).
I recoded the drum loop, saved the sample and got a static machine running it.
I grabbed my guitar, switched Parts and played over it. Recoding was easy as I had it set up in my template project. I saved the guitar part, and jumped to my compose Part and hmmmmm… the machines are changing, but not the sequencer settings, so back to manual for a moment and I realized that I needed to make a few patterns. I made 4 patterns, and assigned the 4 parts to them (recording, composing, drums and performing). Now I had it how I wanted, and switching patterns handled everything.
I recorded a 2nd guitar track and soloed over the drums and rhythm guitar, saved the samples. Then jumped to compose and put all 3 tracks together, added some effects. Then I went to “performance” mode and assigned some p-locks to scenes and played Dj for a moment. I thought it was going to feel silly, some old dude pulling a slider around, but I really enjoyed making scenes and found a lot of cool transitions.
It was at the moment, that I realized I was ONLY using the OT, and all my other gear was sitting there with their screen savers rolling. I turned everything else off for a bit, and keep working with the OT for a good while longer.
When I finally turned the OT off, it was weird as everything I was doing was in there. It was like taking the VR headset off, if you know that experience.
Now I see the OT as a new way to work on music, and it’s own thing.
I’ll never underestimate you again Octa (which is what I named her ).