Thanks.
T1: Flex/Recorder1 - INAB - RLEN 16 - TRIG ONE - QREC/PLEN
T2: Neighbor
T3: Flex/Recorder3 - INAB - RLEN 16 - TRIG ONE - QREC/PLEN
T4: Neighbor
T5: Flex/Recorder1
T6: Neighbor
T7: Flex/Recorder3
T8: Neighbor
48 bpm -> 5s for one bar
Record nice loops into recorders 1 and 3. Initially I had a more minor/diminished vibe, but replacing the recorder buffer contents once everything is playing is too fun. By the time I captured the main out, the recorded loops were I/IV/V major things.
Trigs on the one of each track, TRC 1:2, with LOOP on (this is important, since with lower RATE, playback exceeds a single bar). Scenes with different settings for SRC/RATE (make sure RATE is TSTR) for tracks 1 and 3. RATE 32 + PTCH -12 is as close to Hainbach tape I’ve found. Track 5 has some pitch p-locks, and track 7 has a random LFO on pitch, with trigs on 1/5/9/13. Don’t be afraid of negative rate… Reverse play into the effects is nice.
All effects are engaged, with neighbor typical chain is LOFI -> Delay -> Filter -> Dark Rev. Copies of scenes introduce more SRR and BRR for extra fuzziness, delay time is typically 48, filter is used to tame high frequencies (and often has LFO on WIDTH for tremolo-ish). Some scenes also XLEV out some layers, so as extra lo-fi comes in, lower registers drop out.
Performance is then scene/crossfader manipulation - and if you’re feeling spicy, overwriting the recorder buffers live.
Pretty fun.