So, I’m curious as to how you guys are pushing the quality of the OT when it comes to time-based FX. Any advice (audio examples automatically receive golden stars) appreciated! 
5 Likes
My favourite way to utilize the OT’s FX, and delay specifically, is doing this noise:
10 Likes
Really cool - lots of things for me to check there, thanks!
Interesting and unexpected results !
Inspiring.
Time based ?
Time based fx spoiling…
Not my first one, I think best time based fx results come with recorders / flex…cue resampling.
APXT2 guitar straight in, no samples, just OT sampling/fx processing.
9 Likes
It sounds great!
1 Like
I mean, this level of processing is just insane, you’re extremely talented, my friend!
I don’t even have a clue where to start to try some of this stuff out! 
2 Likes
Since 10 years I am doing my best to prove OT fx aren’t that bad with some trickery! 
The main thing is to use recorders with several rec trigs recording CUE, use FLEX to play chunks delayed so that you can pitch/reverse, and send back to CUE with feedback! 
I hope I will be able to make a decent tutorial one day !
I already used that principle 6 years ago, but I developed it with feedback. Just using Octatrack raison d’être! Rec trigs and Flex.
Talking about original OT time based fx, I think it is an interesting way…
2 Likes
I’ll add I think best time based OT FX can be made with the sequencer, Amp and Filter envelopes are super efficient as a starter. Lfos with Hold mode so that changes are triggered by trigs…
Quite simple to test with a Thru machine for incoming signal.
If you want to use pitch / reverse / feedback : Rec/Flex !
2 Likes
wow this is nuts.
i’d love to learn more about the settings involved here if you feel like divulging.
2 Likes
Quite a few ! I already gave some clues in different threads but to be understandable I need to make a video, probably faster than writing it ! And some details are important.
After northern hemisphere summer !
3 Likes