So many churned pedals… Just to mention some of the main ones: The RE-202 Space Echo - lots to like, especially the tone controls, but there’s absolutely no stereo field at all, and I found the level surprisingly weak. The knobs are tacky plastic chrome and the controls are, in the usual Roland way, calibrated to stop you doing anything extreme.
The Amplitude X-Time - possibly the worst delay I’ve ever bought. A pretty obvious attempt to rip off the Timeline. The real killer for me was its complete inability to display the delay time in BPM.
Strymon El Capistan MkII: I know everyone loves this pedal and I tried very hard to love it. In the end I found it sort of boring and limited. It has one sound, some fiddly secondary functions, and a weird stereo field. The one feature that I was eager to try, the “degrading loop” can only be properly synced using CC messages 
The Rubberneck was OK but so ugly and too easy to overload (in a horrible way).
The DIG was so good I bought it twice but the Mark 1 needs the cover popped to change from mono to stereo inputs. In the end it wasn’t worth keeping when I already had the Timeline and Future factory.
The Free the Tone Future Factory is excellent but the “innovative” interface is not as fast to use as it seems. It specializes in “nice” delays no matter how much its pushed. Won’t be selling this one although I really need to sit down and program a whole load of custom patches.
The Nemesis I really like but almost all the good controls are only accessible by computer. To get the most out of it you need to carefully customize each engine.
The D-Seed II and the NuX DuoTime - cheap pedals and you get what you pay for.
The Strymon Timeline has been a stayer - really solid set of parameters, excellent ergonomics and everything accessible from the machine itself.
Well, that’s the short version…
In other news, thanks seven7hwave (Kent) for your very kind welcome 