Super late reply but maybe you’ll still be interested. The irony of NeoZeed offering help to Shinobi is not lost on me BTW lol.
So I’ve only had the Fantom 06 for about a week but I’ve been using the sequencer heavily so at least I have some insight coming from an Elektron / DAW user. I’ll try to tackle it the Elektron angle considering what forum we’re on.
Elektron vs Fantom 0:
I’ve owned a Digitone, Digitone Keys and still own a Digitakt and A4 MKII. The Elektrons can be quicker when it comes to sound design. The mangling options and trigs make it very intuitive to shape and mangle things. Also, all the per-step features and probability make evolving sounds much more intuitive.
The Fantom is more rigid and “traditional” in a sense as it’s really great for playing in things to a metronome with expression and polyphony and having it just fit perfectly. If you need anything to be expressed specifically with vibrato or modulation all that is way way easier on the Fantom. With the Digitakt, I need to apply an LFO after the fact or ad vibrato with the A4. Much more laborious.
TR-REC is nowhere near as intuitive as the Elektron sequencer if you want to do anything other than velocity and laying down basic patterns. Because once you get into the piano roll to really tweak things it can get dicey. That said, as cumbersome as the piano roll may be, it’s there and it offers more flexibility for stuff like flams and expressive fills with drums than anything you can do with the Digitakt.
So really it’s a trade-off: If you enjoy playing synths more and would like to lay down melodies and play-in stuff with a keyboard while using expression and modulation, the Fantom offers more than any Elektron box can deliver. It just works better for these types of things. It also trounces them when it comes to polyphony so if you’re looking to sequence chords and pads.
If you, on the other hand, really enjoy the evolving / per-step craziness of Elektron stuff, you’re going to be running into walls with the Fantom. Gritty dirty glitchy stuff is just very hard to implement with it. Takes a lot of setting up modulation lanes and steppy LFO and arpeggio stuff while heavily utilizing curated samples then importing to approach the sounds you can easily create on an elektron box.
Sorry for the wall of text! To put it simply: It’s great for a particular type of songwriting and can’t replace other gear if you are looking for a particular sound. If I can figure out how to properly sync the two song modes of the Fantom 0 and the Digitakt / Analog Four, it’ll become the centerpiece of a live rig / studio… but if it can’t it’ll merely become a synth I use as a soundbox for my Elektron gear.