So ST is just a synthesizer with a sequencer. No need to write Drum Computer on it. 
5 Likes
Start by lowering the decay on the SYN page, DEC2.
1 Like
Really hope that there will come more soul from the MD to the ST
3 Likes
I think you are using the term from a more technical standpoint. Colloquially “synth” means minimoog, basstation, prophet-5, etc. “Drum machine” (or maybe “drum computer” in Elektron-speak) means 808, 909, Linndrum, etc. I.e. I would never refer to an 808 as a “synth” even though it is one. Although I would refer to my collection of noise makers as “my synthesizers” 
We’d better be careful or soon we’ll be discussing “is a sampler a synth” and “is a hotdog a sandwich”.
5 Likes
I’d like to go on the record with yes and yes.
5 Likes
It’s a burger.
2 Likes
1 Like
There is no reverse envelope so to speak for the syntakt ? I.e. when i want reverse clap, hat, etc ? (Ok i could make long attack phases, but on a tempest, the actual sound gets inverted.) (Also for the analog part of its sound.)
From tempest manual
Reverse causes Sounds—even completely analog, non-sample-based Sounds—to
play in reverse by reversing the envelopes.
I wonder if it deals with transients correctly. Would it still do the ca-lap of a clap but at the end?
I think with ST you will have to stick with p-locking the attack/decay to achieve a reverse effect. The best reverse effect is going to come from devices that can sample IMO.
I understand the confusion, but yes, the term is used from a technical standpoint. You may not ever refer the 808 as a synth, but technically it is a drum synthesizer.
Anyways, my intention was not to steer the discussion away from the new machines. I just thought I’d mention this detail because I see in the comments that people don’t associate drum and synthesis together, while in fact, in the Syntakt case at least, they relate. It could have only produced drum oriented synthesis and the word “synthesis” in the tagline would still hold up - from a technical standpoint.
6 Likes
Cool metallic Snare!
The reverse effect was /is very convincing on the Tempest, but i cant tell how complex it was to generate it, maybe inversing all envelopses was enough.
Absolutely right, but I think most of people associate synths with melodic gear with keys…
Not my case, I even made drums with Analog Heat !
Analog Heat : Drum synthesis and sequencing
Btw, is AH a synthesizer ?
1 Like
Oh yeah, anything that can generate Noise!
I made a Track with the Boum and a Track with the Akai MFC42 Analog Filter.
2 Likes
You could argue that a synthesizer (from Greek “syn” and “thesis”, an amalgamation of sound-affecting modules) is an instrument to create a sound out of different flexible sound components. Other electronic instruments like transistor-organs or preset-sound based drum-machines, while using synthesizer components to mimic sounds, lack control-elements for synthesis. They are not made for active sound creation in the synthesizing sense, hence they are often not described or perceived as synthesizers.
So while Wurlitzer created the first commercial drum-machine the „side man“ based on analog circuits in 1959, for me the origin of all commercial drum-synthesizers is the Pearl Syncussion from 1979 with dedicated synthesis control
1 Like
Drums are 909 all the other stuff comes from the Syntakt swarm, chor and raw machines.
No external processing on the Syntakt. recorded the main out over overbridge. sorry for bad timing on the drums.
16 Likes
But it is a drum computer and synthesizer tho…
Genuinely can’t think of a more appropriate description.
3 Likes
THX for that insight. The analog cowbell on track 12 can be actually a very cool synth! 
1 Like
Love this. I’d buy it on vinyl.
I love the Syntakt update! 
303 & Kick = Raw.
The little motif = Swarm.
Direct audio from the Syntakt.
20 Likes