Yes, mate! Cheers, bro!
Blockquote but i really ask myself how u could translate all this into a live situation…
without traveling all that gear…
ot is hunting u again, i’m afraid…
Blockquote
Didn’t use the MX-1 too much again. Just wanted to get this out there for now. Wouldn’t be without those filters though. I’d love to rip up a live set with actual people there. I played a DJ set once and it was magnetic. I dropped some tunes as per norm and then I played my track, none of the people knew it was my track, something really changed and I didn’t know what it was… people just huddled and skanked around the DJ booth. It was magic, man.
If I were to bring in the OT then I would lose the elements I’ve worked so hard on carving.
9 boxes ain’t that much. The BOSS RV500 and MD500, the MX-1 and The 4 AIRA EFX Modules, the Heat, and of course. The thing outputting every sound - the RYTM.
I want a separate knob to introduce floating hi-hats, I want a separate knob for the distortion on the cymbals and cowbells, I want to control the analog distortion on the low end, slice the beat, mute tracks at the touch of a button.
I could probably do without the Scooper taking it down to 8 boxes.
Anyway, the point is I’ve broken things down into the simplest possible form to express myself musically and I’m programmed like that now. It’s a habit. To introduce another box, and I tried, ended in headache.
Thanks for the suggestion though.