More observations regarding the Argon’s doneness.
Jackson tells Nick it’s an “early production prototype” right at the beginning of the video, and says at a little after 2 minutes that “everything is subject to change at this point” as he motions to the machine. My project leader tells me those two and i understand he means hardware too. At around 7 minutes he talks about “the oscillator types we’ve been working on”, not “we just finished”. At 11:20 he says “the aftertouch is not fully calibrated.” At 15:30 he says that the filters “are not modulated yet, but they will be.” He says in a general sense there will be more filters. In the Anderton video he talks about how they’re still changing the colors and this finish he hadn’t seen yet. And of course the back and forth in the SS video on pa that i posted earlier. There is more.
There were a couple of moments i’d also say it glitched and sounded a bit odd. Nick liked the sound and said, “What was that?” and Jackson moved on. I’m not sure on this, but it caught my attention.
Now this all is really quite a ways along; much more than the Super 6 was when U.D.O. showed it at Superbooth 2019. That’s also supposedly on it’s way to market this year. The U.D.O. engineer had people telling him don’t show it, it’s too early. I’m sure there was discussion of that with the Modal people too.
ADDED Sept 10th: BTW The U.D.O. engineer i mentioned here is George Hearn, another former Modal engineer. Also former Modal engineers are Paula Maddox and Matt Jackson.
BTW: I do think the Argon is far enough along to talk about as long as you don’t try to cover things up, and i don’t think they are doing that.
I’ve definitely been pushed to show stuff at shows that i’ve known was not ready. I’d probably be comfortable showing the Argon at this point, particularly if i felt some market pressure.
There’s a rule in project management sometimes called the 90/10 rule, about the last 10% taking 90% of the time. It’s slightly humorous, but it also comes up so often because it’s a reflection of the reality.