I came into Elektron with Rytm, then OT.
I’ve explored playing voices on each of these chromatically and had mixed results. Firstly, of course, they have limited transposition of their machine…
- AR: +/- 24 semitons = 4 octaves
- OT: +/- 12 semitones = 2 octaves
…but also for other reasons of control and playability:
- each one fires as one-shot, with no “legato” playing or voice-retrigger ( play key 1 to hear it, play key 2 to hear it, let up key 2 to hear note 1 again…)
- lack of filter following notes in.
I’m interested in the MnM as a “utility” engine with a keyboard controller, so I can improve my keyboard skills using an external controller and the variety of machines and modes of the MnM to be a “swiss army synth with sequencer.”
I’m intrigued with the wide-open sound-design powers of the MnM, and but I want to know it’s strengths/weaknesses as a “playable synth” before I proceed.
So a few questions to ask before I might sit down with one.
- If I control/play/record internal parts with an external MIDI keyboard controller, does the MnM sequencer record note-lengths ? This video suggests otherwise.
- I only see one mention of the term “legato” in the MnM manual. Can it do the “monophonic voice-re-trig” thing described above ?
- What happens when you try to jump into Poly mode while Sequencer is playing ? I understand that it disables all other tracks, but does it keep timing of existing trigs ?
- Is Poly mode the only way to hear any track voice polyphonically ? I see the manual suggests Multi-Trig mode. Does Multi-Trig mode allocate incoming voices of a played chord across tracks, or just stack up a “mulit-timbral monophonic voice”
- Could you exclude some track(s) from Multi-Trig to leave it running as a pattern sequencer while you play other voices (polyphonically) above them ? Could you do a split among copies of the same timbre to hack duo-phonic parts (with seperate arps/etc…?
Cheers in advance.