there are two channels (9/10) that have the tonal saw and square machines which then get routed through a chain that sums them, outputs the summed signal through the md inputs for the input filter machine, then gets split into two channels that are delayed to simulate a stereo signal. this is made possible by the new nfx machines that can sum machine signals together and also to emulate classic stereo effects (here i just use a small delay to add width/stereo signal). the last two channels are a rec/play that pitches the recording down an octave which is then sent back into the output to input chain (global outputs are set to the input of input filter on the channel that sums the two synths and also the play (p1) machine)
this is just the md raw recording with no post processing/mixing/mastering, usually i have it set up with a mixer so any source can be fed into the input filter which really sounds great with other synths and also hit it with some post compression/limiting which seals the deal, sometimes though the machinedrum doesn’t need any help 