I haven’t tried and i don’t expect it will work, but if you set e.g. both oscillators on track four to ground, will it free up the poly algorithm to use that fourth voice across the other tracks assuming poly is on
No need to test with midi initially, just see if you can play a long four note chord on track 1 (all four voices set to poly) and tap away at keys on track four - if it takes a voice then it may not be hopeful for MIDI
Then try with midi - there are no machines on A4, so there’s no way to go to a midi only machine, the best bet is luck (maybe by grounding the oscillator) or asking for a feature request that a grounded osc decouples from the voice allocation routines - thus allowing that track (and two others potentially) to serve up four note MIDI without affecting the internal voice
I don’t have high hopes that this will play out as hoped, it seems very unlikely, you can reduce the noise volume but you can’t disarm it, and even the grounded oscillators aren’t disarmed, they can be locked on in an instant, i suspect this is a conceptual leap too far , will probably investigate when i get a moment, quite curious
but being able to protect voice allocation would be useful if there’s a way to implement that in light of the track MIDI possibilities
i wonder if trigless locks still send MIDI, is there any mileage in exploring whether that spares the voice being allocated ?