In essence this relates to the Three Note Rule that Daniel Fisher offers and i posted about in a thread about learning to play keys for composition, not performance.
A fun aspect for me with this is as experiment you can just forget about formality, and making music and just float with the simple rules, and passively listen.
I think another fun aspect is applying this to the interaction of more than one performer. That also connects to the origin of voice leading with the movement of separate performer’s voices.