How to send clock to a modular system?


#1

First off, I have no business in modular, given my noob status. However, I’m getting, or 90% sure, I’m getting a Make Noise system cartesian. I don’t have enough pain and suffering in my life :slight_smile:

So all I’m looking to do pretty much is
A. Be able to send patterns to the Cartesian (if I want, instead of using the on board sequencer (Rene’))
B. Send clock, start/stop from my Octatrack to the System Cartesian

I realize the OT does not have CV. My A4 is gone, so that’s out. The only other solution is getting a Kenton box, the solo MKII I think it’s called. I think that would solve that problem? What do you think?

I saw another post where someone used a rim shot on the queue output of the OT somehow. But there were not clear instructions and I assume I’d lose a track in order to do that.


#2

Properly designed modules will “Trigger” to any sharp transient audio / click, so that’s why you can use a rimshot (or the Impulse machine in the Rytm) to trigger modules. You could even have a click track in your DAW go out to your eurorack.


#3

kenton works fine, so does the roland sbx-1.
and there are some doepfer interfaces - but i don’t have any experience with those.


#4

A cool trick is to send out a clock source via your headphone output to your clock input.
You take one of your track with a sample like pulse or trigger and then you cue this track to send to your headphones.


#5

I’m currently using OT MIDI Out -> CV OCD (24 PPQN clock) -> Pamela’s New Workout to clock my modular via the octatrack. I’m also sending cv/gate signals out of the CV OCD using the octatrack sequencer to control some of my modules.

Check it out https://www.tindie.com/products/hotchk155/cvocd-a-super-flexible-midi-to-cv-box/


#6

Looks great,how do you power this?


#7

I’m using a One Spot power supply that I was previously using for guitar pedals. Most center negative barrel jack power supplies will work.


#8

Don’t you have to use a web interface to change the parameters for that box? How is it to do that?


#9

Yes. You use a web interface to edit what each of the outputs do commit it via sysex. It’s well documented and easy to setup granted you know what you want to do. I can post a screenshot of the config I use for the OT and explain it if you would like.


#10

That’d be great


#11

Here’s a quick rundown of how I currently have mine setup.

Basically I set mine up to run left to right with MIDI channel 5 controlling the top row and 6 on the bottom.

CV outs A/B are sending the first and second note pitches. You can set this up to have A/B/C/D send four pitch voltages from one midi channel to create chords, or send 4 independent mono sequences, but I chose to have two different sequences of two notes.

Gate 1 sends a gate when any note is triggered, while gate 2 only goes high when when no notes are active. It’s important to note that these can be set to triggers instead of gates, and the length can be specified.

The eight gate outputs on the right side can be set up more traditionally to trigger via a specified MIDI note but I’ve been experimenting with this setup recently. I’m mapping 5/6/7 to send a trigger when above the value 64 for the specified CC. I then send an LFO from the OT midi sequence that crosses the 64 line to send triggers to different modules.

Lastly, gate 8 is set to send a 24ppqn clock which my PNW receives and sends different clock divisions to all my other modules.

I didn’t go over the bottom section because it’s a mirror of the top besides having an extra CC for gate 12.

Let me know if I left anything out or you have any questions.

(Here’s the guide if you want to look at some of the other parameters)


#12

You could checkout the erm multicclock sync sample…that uses 24ppqn.

https://www.e-rm.de/data/E-RM_multiclock_sample.zip

Run that on a audio track sending out on cue output of OT.

https://www.e-rm.de/multiclock/


#13

I used to clock my modular via Ableton using essentially the same method with good results before I got the OCD.

It’s worth giving a try if you don’t want to spend any money, although I think all that goes out the window when you start buying modules.

I personally wouldn’t want to give up one of my tracks as a dedicated clock, but it could work well if you were just focused on sampling. I would love to own an actual multiclock though.