You´re really not missing on out on great sounds, it was bread and butter sounds only of which you can get much better variants today easily. in my opinion the EPS´s strengths are is the sound with the various samplerates, its looping loopmanipulation and modulation capabilites. Try to understand the envelopes, they´re very complex but really great. basically you can set different levels for low and high velocity, the actual playing envelope will be interpolated between those two curves based on the actual velocity you´re playing. oh, also use boost=on on every sound (edit->amp), it sounds great.
It’s pretty Menu-heavy but Im learning to sample atm… taking one step at the time. If I can create a Drum kit and save it, then that’s my gran goal for the weekend.
I need to think like im sitting in front of the thing!
I have no idea how the original is but what I can tell from your plugin is that it operates exactly like I imagine an early 90’s sampler would. I would also love to try out that demolition disk, Rez filter and yeah create sounds. Man this is so dope!
I really wish it had a piano-roll attached so I could click on the keys to localize where the sample actually is. More easy to memorize I think, Specially when having many different sounds for example.
Not a big deal for sure cus I can put triggers in Live but that piano-roll is kinda crappy really.
Added the original EPS-16 Plus Level Detect meter. The VST renders the bar count and independent Trigger Sensitivity marker sent by the Ensoniq OS/KPC; it does not calculate a separate host-side level.
Fixed live volume-value updates on the LOAD/Instrument page by decoding the original OS direct-cell VFD writes; the page remains cursorless exactly as transmitted by the Ensoniq OS.
Fixed live instrument-name editing so cursor movement and replacement characters follow the original OS VFD command stream instead of repeatedly redrawing the first letter.
Increased display polling to 30 Hz for responsive metering while keeping ROM/resource discovery and status work on a slower cadence.
Reduced plug-in CPU overhead by publishing display state once per DAW audio block and excluding probe-only 68000 diagnostics from release builds.
Renamed the public plug-in and package from “EPS-16 Plus Prototype” to “Ensoniq EPS-16 Plus”. The VST3 identity remains unchanged so existing DAW projects and presets remain compatible.
Wow you are on fire!
Cpu was an issue alright, also cursor on editing is a big qol improvement.
This has become my fav synth since I downloaded it. You have made the dream of beeing able to play the EPS true! I have no words, I truly thank you for making this and keep improving it!
I should probably upload some sounds of the patches I have made so far, it really sounds fantastic and so unique!
sorry to be that guy but i can only find images with names that have Upper and Lower.
I am curious if the files it asks for in the Readme are the only EPS16+ bin files it will take (combined into one)
I had a much easier time finding all the files for the SD-1 plugin