@peachesandbacon IMHO there are 2 main reasons to love the OT:
- Performance. Putting your stems in here from Ableton and playing your arrangement is a lot more fun than playing your arrangement on your laptop.
- Latency, USB midi, and laptop BS. I love working in the box just as much as the next person, but I buy external gear because I get sick of working in the box all the time. I have the OT hooked up to some rack synths, and some samples loaded on the OT. I just turn them all on and start playing, no windows updates, no latency, and none of the other BS that comes with working in the box.
I’ve probably put in 40 total hours with the OT over the past 3 years and was pretty happy with it as a way to create linear chains of patterns. I knew a little about the rest of what it could do but didn’t really care, because I bought it specifically as a performance tool. It’s marketed as a “performance sampler”, so I figured I should be able to figure out how to use it for that.
I won’t link any videos, because I find most of them disappointing. The best way to fall in love with the OT is to read Merlin’s guide, which took me about 45 minutes: A polished version of Merlin's OT guide here
After reading Merlin’s guide, I subsequently got more done in 1 hour on the OT than in the previous 40. My goal was to create a performance, and I was able to do that quickly using the info in Merlin’s guide. With what I had previously done on the OT as far as pattern creation, I was able to whip together some scenes and parts that made transitioning between the elements of my arrangement easy (and stylish, I might add). I now have a 6 minute performance that is pretty much ready to roll. With what I know about creating patterns, I could create another performance in no time.
Merlin’s guide doesn’t go very deep into recording and looping, and doesn’t cover the MIDI sequencer at all. Recording is not straightforward, and requires some time to test each mode and figure out which one you like. If you don’t need to record audio or samples, just forget that it exists at all. There is plenty of other fun stuff to do on the OT.
I really like using the midi sequencer with my rack synths. It’s nice to have the Elektron sequencer for those. I will agree with one of the other posters that a small midi controller is nice to have, for me I need it more for the keys than the knobs, as I find I can do all I need as far as modulation by mapping the relevant CCs to the 6 encoders on the OT.
So if you’re like me, and you hate the idea of lugging your laptop to a show and pressing play and diddling with usb midi controllers, the OT is for you. You don’t have to use every single feature on it to wield it as an impressive and satisfying performance tool. All you need is a few patterns and Merlin’s guide.
thanks @Roger for linking me to Merlin’s guide