This was a hard battle for me. Hard to make, hard to critique, hard to pick and order. But challenge is good. Thanks again @1-2 and @Ooly for hosting, and kudos to the rest of the crew
1st: 6
2nd: 4
3rd: 8
HM: 7
Full Notes
1: I like the Caribbean theme here, high drums and laid-back groove, and I really like the filter env on the True Lies sample about a minute in. The dubby stuttery breakdown at the end fits the theme but is a bit too chaotic for my taste
2: Man, when the main drums kick in on this beat, it’s everything. The Davy Jones bit is a great hook, drums pop just right, killer work! I’m less in love with the transition to the B-section, although it ends up in a good heavy place, and I really like the celesta/hats transition back
3: Between the drums and the skitchy violin, this has me ready for a brawl! I really like how this stomps and swings, and that first hook is catchy. The drums get kinda boomy and harsh, and the B-section feels a little disconnected from the rest of the beat.
4: What a great beat trio: dark and soulful, bouncing swagger, and smooth but whimsical. The drums do a great job bridging all of these together, and I love the snap of that snare. Lots of great touches touches throughout (especially that fading echo on the horn crescendo in part 2). Nice work!
5: Lots of great sounds weaving through this one, from the warm panned violins to the fast drum sections to the forment bass and that rising modulated echo hit. The organ vamp kind of hurts the momentum for me, but otherwise, a great pair or grooves playing off each other
6: Deceptively spare nocturnal beat that knows exactly when to tweak the recipe every time to keep me hooked. The first section with the the back-and-forth celesta is magic. Will be pulling out the notebook for this one
7: This took a couple listens to get past the metallic shell, but I’m glad I did. Grooves getting passed around and developed between layers, sweet guitar licks against heavy clangs, and that steady kick-snare like a drummer in the hurricane’s eye. Nice work!
8: Another fun triptych, with the extra space giving it the loose energy of a DJ at a three-way rap battle. More praise for the bass and scratching of course, but also the smooth mood shifts throughout