EHX Platform compressor

This is my post from another thread:
I did a little video with the Platform. Nothing scientific, just playing around with different settings and increasing the drive. I don’t know if there’s really a good subtle compressor setting for a whole mix here. I think it’s better suited for processing instruments or pumping effects and crunching up something with the drive circuit. But i often like to dirty up some tracks or whole mixes so i think it’ll stay behind the Model Samples for now.
For clean live use i would probably go with a RNC or RNLA instead.

Sound demo starts at about 1:30.

To my ears it keeps the low end pretty intact. I currently have it hooked up to the model samples and mainly use it for drum compression. Glueing a mix together works as well.

Here i used it on the master:

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yea I’m sold.

Thanks!

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Here are two sets I played using the Platform on the main output for some master glueing and I must say I’m super happy with the results, it helped even the volumes but the sound is pretty intact, nothing to report on the lower frequencies

Ratio was 30% on the knob (not sure what actual value this represents) short attack and longer decay, GR was about 4-6 dB and drive was on but at minimum because I didn’t want to destroy the sound :slight_smile:

Hope this helps

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sounds good!

I ordered one last night. Looking forward to shooting it out against an Alesis MicroLimiter.

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I have one here, hooked up to my Model:Samples, along with an old trusty Alesis Micro Limiter.

I can’t say I have a preference between the two, but the drive section on the Platform is a huge bonus.

The Micro Limiter can be pushed a bit harder leaving you with less artifacts and much more gain left on the knob to make up with. It will distort at extreme settings, but not in an unpleasant way. And the single release knob does the job for keeping things from getting too pump-suck-artifacty. It’s simple and doesn’t sound bad for electronic music.
It’s hard to make sound bad.

On the EHX, you can get that gain back with the drive section’s volume knob. With the actual drive knob giving you more overdrive and color. It’s kinda like a 1 knob analog heat, when heard in conjunction with the compressor/limiter (which is the only way to use it, you can use both sections or just the comp/limiter, but you can’t just hear the drive.
It’s a nice add on, allowing you to control that heaviness, and you can certainly go crazy with it if you wish. There is a lot of variation over the life of that knob even though just turning it up a little gets things going.
The soft knee switch is another bonus that helps control the pump-suck gnarliness at high settings.
Lots to tweak and get your sound dialed in just right.

It feels like the Alesis is brick walling harder when it comes to peaks, it’s very set and forget, and it can squash harder.
Where as the EHX Platform takes a bit more tweaking on the release knob to find that sweet spot. It’s easier to over do it, and takes some more time dialing in. To my ears, the Platform is letting more peaks through and doesn’t have as fast an attack, even in limiter mode.

Moral of the story, either will do the job.
But if you have both, it’s good that they have unique strengths.
The two together is quite nice. :slight_smile:
If you’ve had bad luck with an RNC/RNLA at high compression settings doing bad things to bass, and never got around to the inline HPF loop in the side chain, I’d go with the Micro Limiter as it can compress far more before making your low end go south.

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here’s a quick little Model Samples + Platform beat down.
I love techno.

no other processing whatsoever

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@AdamJay that track was bangin’! Really takes me back to the Frankie Bones days!

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This is super helpful. I’ve been looking for a “master glue” compressor/limiter for my live sets and I think this may be an affordable solutions.

Also, I dig your tunes! :slight_smile: Well done

Just wanted to report back. Ordered one of these and I really like the sound, wanted to love it, but unfortunately I’m going to have to return it because it has pretty bad digital zipper noise when changing parameters in real-time (drive, tone and both volume controls). The tone knob also introduced distracting clicks occasionally. Worth knowing about if you want to perform with it. No problem if you just want to set and forget.

Edit a few days later: Love it so much that I decided to keep it anyway, even with a bit of zipper noise. Works great with Nord Drums.

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I never had that issue and I have 2 of them.

The more I use it, the more I find a broad range of tone from it.

Gain staging is everything. I use Limiter mode with a soft knee mostly, and am find that even when I hit the limiter real hard, I can get a wide range of saturation based on the two volume pots.

The signal flow is
Input -> Compressor/Limiter -> Overdrive
so not hitting the overdrive’s input so hard (or hitting it hard) can really change the vibe of the track.

It’s great to have the flexibility, but I had kinda hoped that Limiter mode would be more set-and-forget, like an Alesis Micro Limiter. So now I am finding my sweet spot and going back and re-balancing all my M:S tracks to that setting.

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What settings do you use for attack, sustain and release in limiter mode, to get a soft saturated signal?

Sustain = threshold in Limiter mode, so that is entirely program dependent and pointless to share. Set that to taste.

Attack fastest, Release about 1 o’clock.
Knee set to soft.

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Thank you for sharing, seems like perfect starting point. I have a RNLA I my chain before the Platform, but are considering picking up a Micro Limiter, as I find the RNLA takes a bit of adjustment before it sounds good in a live setting.

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I’ve had the EHX Platform for about two weeks now strapped across my TR8S that has an SH01A running through it. Tonight, I was running the master into Ableton via the USB interface in my Soundcraft Signature 12 so I can pass things through a spectrograph. Just for my own curiosity. I noticed that the Platform has a steep hi cut filter @ roughly 15.5KHz when it’s on. This is in all modes and unaffected by any settings on the pedal. It’s not there when the pedal is bypassed. Can’t find anything in the EHX specifications that details this. Anyone noticed or know of documentation to support this? Unsure why they would put a hi cut filter there and not mention it in their spec sheet. Seems odd when making claims of ‘studio quality’ (not that I am expecting that from a pedal ;)).

Am I mad? No. Can I hear a difference. Not in the room that I currently work in. Do I particularly want to be cutting all of that information out? Well, no. I’d like the choice about what I’m removing from my sources.

Pics:

EHX Platform - Bypass

EHX Platform - On

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the Tone knob in the drive section is a hi cut.
I wonder if it was not properly calibrated on your device?

I’d test mine buy I just gave it to a friend earlier today.

Just the person I hoped would reply :wink:

It may be a calibration issue. The Tone knob’s cut isn’t at all that steep and that filter cut is present and unchanged regardless or any setting on the pedal. It only disappears when you hit the bypass switch.

Do you still have yours and perhaps have a moment to check is this is present on yours? It would help if I need to exchange or engage support.

:slight_smile:

Afraid not, just gave it to a friend across the country, as it was going unused.

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All good. I’ll shoot EHX an email to support and see what the answer is.

Same here. Cut at 16 kHz.

Good for me. 17 kHz is madness for the ears.

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