Found some issues with the “Poly (Mono-LFO)” voice mode that seem quite buggy.
With the LFO in “Free” mode, it works as expected, all the voices use the same LFO modulation which is great. However, all of the other LFO modes (which are triggered) seem to be buggy, seemingly because the “LFO Trigs” are only having an impact when a certain voice is triggered. It seems like “Poly (Mono LFO)” mode is only utilizing the LFO from a single voice (which is as it should be), but it is not routing all the LFO trigs to that LFO, so many of the LFO Trigger events have no impact.
Take, for example, “Hold” mode: My expectation, as a user, is that in “Hold” mode the same LFO should be sampled with each new LFO Trig, so that the same modulation signal affects all the voices equally, while the sampling occurs with each new trigger. What ACTUALLY happens, though, is that the LFO valued is not sampled on every trig - it’s only sampled when a certain voice (I assume the one the LFO is originating from) is triggered. So if you have a sound with “Poly (Mono LFO)” voice mode, and a “Hold” LFO, and you play a melody in, it’s pretty random when the LFO will sample a new value since the trigs are not happening on each keypress, but only on keypresses which trigger a certain voice.
The same issue goes for the other triggered LFO Mode - with “One” , and “Half” , modes, I would expect that all voices share a modulation signal from one LFO, but that the LFO/envelope will be triggered with each new trig, not just when one of the voices is triggered. I’ve not thoroughly tested “Trig” mode yet so I’m note sure if it also behaves this way but assume it does based on other mode’s behavior.
Hopefully this makes sense, it’s a bit of a let down since I was quite excited about this mode but it doesn’t seem to be working intuitively