One of the most interesting clips I’ve heard of it so far. Seems like a lot of use of the instrument is very range-bound within ambient background chord generator
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Patch the oscillators back into one another and it can create all sorts of non-standard SubH sounds, from burbling percussive stuff to all-out noise 
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Little Techno Jam with my TR-8s.
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I am just opening my eyes to this, Moog did a good job of designing it, its really open with patching possibilities beyond the obvious
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Yes, definitely. I’m looking to pick another one up. It’s such a weird but unique synth. I guess no one would see it as an FM synth but that’s essentially what it allows you to do with patching this into that. Having six oscillators is a massive plus point for expérimentation.
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wow, imagine 12 oscillators! 
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Buy two of them 
Édit: I’ll stop waxing lyrical about the SubH now. No current sounds from me right now (I’m on holiday for a few weeks) but so much great stuff is coming out of this thread right now. I’m really enjoying listening to everything!
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Thank you, yes I do love that subharmonicon “sound” but it is great to push the boundaries a little too
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PolyBrute doing a little homage to Rain World, the rain sound is filter FM on the ladder filter.
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Thanks man! Appreciated 
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A two parts edit from the same Patch/take.
Buchla Easel V (Arturia)
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grime with easel 
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Thanks !
I’m so glad i’ve finally started to study it.
Playing with a real one must be incredible.
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I haven’t heard anything like this made with the real one. Very good!
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Got to play with a friend’s KARP 2600. Made a drone for the drone challenge (filter droning), but then also patched a Oscillator to modulate the filter (in addition to going to the VCA). So when you play the keyboard it plays the note but also changes the filter’s drone. Going through a CXM in lo-fi mode. Do the world need another reverb drenched ambient thing, maybe not - but it sounded good. Pop at the beginning is the spring reverb as I switch the 2600 on.
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Nice. The delays on the Lyra-8 is wonderful, isn’t it?
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They are! I want fine tuners on those knobs, though. I have to sit there blowing gently on them, or maybe brushing them with a camel’s hair brush with only three hairs remaining on it.
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A single Digitone operator, detuned to 0Hz, with high feedback. Random LFO modulating the harmonics parameter.
Credit to @Akio_Daku for discovering this behaviour.
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digitakt scramz
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