Totally get this.
I’m trying to look at various ‘mixing / mastering’ methods on the Digitone, and coming from a DAW environment where everything and anything is possible and provided, it’s easy to think about this as a limitation. But you’re quite right - And this is exactly why I wanted to leave DAWs. I love the idea of using p-locks and LFOs to play with level.
So if the track I wanted to ‘side chain’ was playing a single held trig on the first pattern, I would add p-locks on the track volume parameter, right?
P-locking the envelope attack wouldn’t do anything because there’s only one trig?