That’s what i was wondering - I suspect trigless locks (any locks) are a part of this
trigless locks under certain circumstances wrt the shared ‘lesser’ track get the shared ‘greater’ track to sound when you might not have expected it - i recall reporting as such years ago - i’m not recalling 100% the circumstances here without access, but examine the suspect tracks for locks
i’d generally be live programming and tweaking so it generates a lot of trigless locks, when these locks appear on say T4 and a trig was on T3 i think that may be a scenario to promote T4 voice to a trig - this may not relate, but as i said i believe there are at times counterintuitive outcomes depending on the exact entries on the pair of track seqs