Hello, everyone… Do any seasoned M:S users have any workarounds for some of the performance shortcomings of the machine? I know I’ll develop some of my own if I spend the time, but I’d like to know how some of you deal with a few specific issues?
For one, I feel like the “global mute” setting is very difficult to navigate in a live situation, meaning that muted parts stay muted when a pattern changes. I love the Korg-style sequencer (ESX/MX) for this reason. It’s so intuitive to go on an effects tangent, muting things one by one and then drop everything back in on the next pattern. Unfortunately, there isn’t an easy or intuitive way to accomplish this on the M:S.
To top it off, any editing permanently changes the existing pattern until it is manually reloaded from its saved state. This is also a deal-breaker for me, as I really need to come back to a pattern in a live situation and have that pattern play in its original state. It’s integral for my live performances that I have freedom to mangle in real time without making permanent changes to a pattern. It basically means I will never use the M:S in a live performance, so it’s nearly useless to me.
Next, I’m wondering if there is a way to save a copy of a pattern to an unused slot without stopping the sequencer? I realize I can copy and then change patterns, then paste, but this causes a drop in the playback, obviously. I’d love to be able to save a copy one slot forward, change to that pattern, edit, save, repeat… This is another strength of the X-style Electribes.
Lastly, I recently created an “elastic audio” template for Korg ESX. (you can see my video on it here: https://www.youtube.com/watch?v=RVnmP9MCaVs) In this template, I use the motion-sequence feature to do automatic time-stretching of any properly-trimmed loop. By putting trigs on all 128 notes in the sequencer, then setting each trig to the relevant value for Sample Start, it will basically play any sample you drop in that slot perfectly, no matter what pitch the sample is, or what tempo the pattern plays at. The idea is a bit genius for me, and came one night like a bolt from the blue.
I had hoped to set up a similar template on the M:S before I purchased it. Thing is… -and this is the ultimately frustrating part- the value for Sample Start on the M:S goes only to 120 instead of the usual MIDI value of 128 (0-127) like EVERY.OTHER.MACHINE known to man. Because of this, I can’t set the trigs to the exact value of each slice in a loop, making the proposed template impossible. To make it worse, most of the other values for every other perimeter follows the typical 0-127 MIDI-value template. WHY WOULD ELEKTRON MAKE THE SAMPLE START VALUES ANY DIFFERENT? Lol… Anyway, for that question, I’d really like to know if the Sample Start value is 0-120 on the Digitakt as well? And actually, does the Digi do any time-stretching? and is it automatic like the Octa?
Thanks a lot, everyone, in advance!