Especially for bass sounds, something like the Moog Grandmother almost feels like cheating compared to the A4.
itās a poor choice as a regular synth imo. for some reasons stated in this thread, it takes work to dial in sounds other synths can do with ease.
but as an experimental grooveboxā¦ itās amazing.
@Eaves
You are speaking exactly how I feel about the A4, itās almost surreal. Thank you!!
I hope the synth gods are paying attention!
The filter envelope on a different page other than the filter page is really hard to get used to, and so is the lack of mute mode (which it seems would fit perfectly, considering trigs are useless when not in grid record mode)
This is exactly the thread I need right now. A lot of what Iām seeing here should be enough for me to realize I donāt need the a4 until I have a lot more free time. Unfortunately, Iām stupid and need to learn things the hard way. I just canāt shake the idea that with a drum sound pack/processing external gear itāll be immediately useful for me and then Iāll be able to dig deep eventually
Yeah, part of what interests me is using it a little like my modular, and with the modular for weird CV stuff like audio rate modulation. Though I fully expect it to be like my modular in that I never actually finish music on it.
First of all, you should get an A4 because itās awesome and is really useful if you have some Eurorack
or semi-modular devices.
Anti-gas thoughā¦itās kind of big and will take a lot of desk space, it has overlap with Syntakt, it has limited MIDI-sequencing functionality compared to newer Elektron devices, itās not a character synth, you do need to menu-dive to get the most out of it, patching may be time-consuming because it is not full of sweet spots like a classic Roland synth for example, and the mini-keyboard is useful, but youāll likely need to connect a midi controller to it if you want to go for more of a live, dynamic feel to your playing/sequencing.
The mini-keyboard is frustrating if you play in scales other than C.
The chorus is lame compared to the MNM or the OT one.
The song mode is lame compared to the MNM or the MD or the OT one.
I have to admit that when I considered replacing my digitone with analog four, your video comparing the workflow and features side by side inadvertently convinced me to stick with digitone until Iām at a point where Iām ready to field both boxes in my set up. Itās part of why I was able to accept that digitone was my ākeep this synthā synth and A4 would be my āsynth I would like to getā synth, not to trade one for the other.
Anyone who is unaware, the video in question is unbiased but very honest and illustrative of pros and cons of both units, with both boxes back to back, side by side.
Elektron Digitone vs Analog Four: Comparing Features and Workflow
Just an example of content creation at itās finest and most useful, with no bullshit or shocked face thumbnails.
The sound of the A4 is very specific, I didnāt like it and after a year I gave up and sold it. Before I sold I watched probably every youtube video of the A4 and it only confirmed to me that itās not for me. There is also a thread about it:
I finally sold my AK. Itās a great synth but the lack of voices kept bugging me.
I watched his video as well, but still, I bought the A4. And Iām still not sure whether I made the right decision
But I didnāt sell the Digitone! I had same thoughts about replacing the Digitone with the A4. Good thing is, the used prices are pretty stable, so I might end up selling the A4 in the end. But yesterday I was able to conjure some really nice sounds with it.
Understanding that you need to raise the volume significantly if you use the low pass filter, changes a few things. But itās really tedious! Not something you want in a groovebox.
I just took a listen, sounds pretty nice. Sometimes a pain in the ass is worth the trouble when results are good like that!
Which overdrive do you guys prefer, between digitone and A4? I know a4 mkI and mkII have a slightly different character from each other as well.
Yep, the A4 is very dynamic, but in a way that makes it tedious to work with. The fact that itās analog doesnāt make it easier to make āāāanalogā"" sounding patches on it.
Itās not an instant gratification synth, and I donāt say that in a condescending way. Iāve struggled with that a lot .It can really be a chore if you have an āanalogā sound in your head and are trying to make that sound on the A4.
Just a disclaimer though: all the negative things iāve said about the A4 are my honest opinions about it, but I could write just as much or more about the positive things about it. But since this is an anti A4 GAS thread Iām holding back!
your extra quotes are giving me gas.
ok then instead of telling me which overdrive you like best, tell which one you like worst
DN, a4 mkI, a4 mkII
Itās actually easier to make the Digitone sound analog. At least itās predictable!
I like DNās per-voice overdrive the least. But I donāt treat it like an overdrive, I treat it more like a vague sound āenhancingā tool.
The master overdrive on the DN is really good! It really helps glue all the synths together, great for trip hop. It can also make high resonance bass sounds sound very acid-y, itās awesome.
Oh, right. The A4 doesnāt have a master overdrive. This makes it hard to glue everything together (without running it through an external FX) like you can on the Digitone.
nice digi promotion for the OP who has DN already, GAS AVERTED!
As someone with an A4 thatās a bit underused for most of these reasons Iām considering trying to trade it for a Digitone which I always love the sound of when I hear it.
When I read these A4 threads with the āit takes a lot of workā comments, it makes me feel weird!
I find the A4 to be one of the most instantaneous synths I have, and I love the sound of itā¦ itās my most used and favourite Elektron by far, and I have had them all.
Mine has worked its way into being crucial to my setup/music nowā¦ I couldnāt think of being without it.
Am I alone???