Thanks for posting this, I‘m clearly out! Great for everyone already working mostly with Live / Samples. Cool to see they keep innovating!
Boring boring boring Ableton! Come on!
In our MPC terms, it’s like having 16 Levels available alongside your regular pads.
I’d presume it’ll replicate what the Push 2 does on those pads when you’re in a Drum Program, which is similar, but it’ll also let you select pages within a Clip… hence there is a max of 16 bars per clip.
Read entire manual. Workflow looks amazing. Lazy chop. Lofi stretch in drum sampler. TR style sequencing. P locks. Automation. Web based sample management. 64gb storage.
Love it. Dream machine for me.
Sorry for the dumb question, I can’t find the info on lazy chop. Do you have a link to the section where it lays that out?
is there also regular timestretch?
It´s basically slice to pads in realtime. Your input signal will be recorded to the last pad you pressed, it´s quick and easy(lazy) and once done you can fine edit every pad to your liking.
Not currently
How do we think this stacks up to the MC-101? I just bought one second hand a couple of weeks ago.
On paper there’s a lot of similarities, but the Move looks hardware and interface look miles ahead. New vs new it’s no contest IMO, but a second hand MC-101 for half the price is a nifty deal.
Ahhh I see, so you record in and press pads as you go? That sounds workable.
no
It actually uses Note PB (MPE-ish) to do pad repitching. Quite odd.
I’ll wait and see if this can midi clock to the digitakt via USB before purchasing I think
Clock out, no clock in.
I’ve watched the SonicState video but an yet to RTFM (sorry guys) and I have a question - Wavetable/Meld presets… Can they be created in Live and imported to Move? If I can do this, my fragile defences may be breached and I may hit the Buy button. Thinking not as they said the workflow is one-directional, but that may only apply to sets and not the sounds.
So… midi from Move to an instrument with midi 5 pin DIN in? how…
Probably not, everything I’m seeing is that it goes one way only with live
On the 101 the synth engine is fully open, you can edit synth patches on the device itself. It has a random patch generator. What I also like is you can set a sound per clip, so a sound is not bound to a track. Resampling is a bit cumbersome, you have to use a looper track and export that clip.
It’s not bad for £400 but I’d personally rather save a bit and pick up an MPC One which is infinitely more versatile and powerful.
It definitely competes well in the groovebox space though.