indeed the filters are key in this endeavor. As halifax mentioned a resonant high pass with tracking set to 32 works wonders. Try the peak filter type here as well.
One other fantastic trick that’s been discussed in this forum is the use of the feedback waveform in osc1. set osc1 to this waveform and then turn up the level of osc2, set it’s waveform to “off” and set AM1 on page 2 of osc2 to “on.” mess with the settings of filter 1 and the tuning of osc2 and you’ll find it’ll spit out a range of lush and unique low end tones, along with an array of other weird shit.
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