I sold a Waldorf Iridium (amazing synth, but not so hard to replace its capabilities and sound with plugins), Moog Subsequent 37 (I’ll miss it, but I have Moog apps and Diva that can get a very similar sound) and an Octatrack (I don’t perform live) to fund a 3rd Wave keyboard.
You could think I’m crazy, but this synth is so good, I think it was worth it.
The sound is stellar, it can sound like a Prophet, Oberheim, it can sound like a PPG (obviously), and it can sound like a proper modern wavetable, and all these personalities can always be interacting as you have 4 parts.
For people who are used to a Sequential synth workflow (Pro 2/3, P12, rev2), they will feel at home with it.
It’s a flagship synth, it has a premium price, but also premium built and sound. I think the word expensive can lead us to think “overpriced”, so I wouldn’t even use that word. Yes, it requires a bunch of dollar bills to own it, but when you put it against synths like Quantum, OB-X8, Prophet 10, Moog One, etc… you realize how much more you’re getting here.
I loved my Iridium, and I still do, I think it’s a fantastic synth. But there’s one little thing about it that I didn’t like. The different engines don’t really interact with each other, there’s no cross modulation between them. You are layering them, that’s it. The 3rd Wave is different, you can have a PPG wave on one OSC, a modern wavetable on another, and a Virtual Analog one on another, and you’re still doing sync, and FM between them. Sounds like a small thing, but it’s actually a big one for me in terms of workflow and sound design.
Also we all know how effects in synths are usually mediocre. I think the ones in the 3rd wave are very, very good. The kind you’d expect to have on a good quality external multi fx pedal.