2024 Gear Purchase Hits and Misses

In recent years here, I’ve appreciated the Gear Hits and Misses threads, where folks have shared reviews in miniature on the new gear that arrived in their studios this year. Have firmware updates helped an initially rocky product? How did different things pan out in day to day use?

I just saw my first Black Friday sale hardware deal, and at this time of year I like seeing these retrospectives before planning Black Friday or end-of-year purchases.

What’s been a hit? What not so much?

Link to search of previous years’ threads

Search results for 'Gear hits misses in:title' - Elektronauts

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Hits:
Make noise MMG (not the qmmg) - there’s a ridiculous level of variance between these. It’s now the fourth one I’ve owned and it self resonates when I want it to and the frequency sweep is so smooth.
Octatrack mki - bigger screen, half the cost of a mkii, does all the same things, still never use it.
Yamaha VSS-200 - I like it for the presets as much as the build in sampling.

On the fence:
Analog heat fx+ - love the filter and drive. Fx are fun but I don’t use them that often. Now that we have the digitone ii can Elektron add the comb filters now?

Misses:
Opsix
Modwave

So frustrating that these have such great sounding and powerful synth engines but some deal breaking limitations. I don’t need macro knobs, I don’t need the stupid sequencer buttons, just let me assign an LFO to where I want to!! And some of the coolest stuff is hidden a layer or two in the menus. Just make those buttons on the front panel! Also the keys and build are crap. Kaoss pad is a joke on the modwave, why don’t you just map it somewhere fun by default? Found it pretty much useless on the presets.

On the plus side I used the modwave on maybe 30 songs this year…

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Despite my commitment to be down a thing or two by years’ end, I bought and sold a lot of stuff this year. Less than last year, though, so that’s something.

The Hits:

  • MPC One+: I should never have sold my One. Using the One+ was like coming home.

  • Pittsburgh Modular Taiga: great bass, really interesting textures. I don’t always use it and it certainly has its aggravating quirks, but it’s mostly enjoyable and is making its way into a few tracks.

  • Cirklon: Everything good I’ve ever heard about it is completely true so far. I’m pretty sure I’ll only sell this thing if I absolutely have to for financial reasons.

  • Audiofuse 16Rig: 16 inputs in one device, no adat required and only one point of failure. Those are the main reasons I got this. As long as I don’t open the software, it works well enough. If I open the software there’s a 50% chance it’ll crash. Every firmware update comes with a host of users saying it screwed up their unit, so I’m avoiding doing so until I have to. I almost made an “I’m neutral” category because if it crashes again, I’m getting rid of it. But it’s working at the moment so it stays.

  • Unsubscribing from most of the Synthtube influencers and subscribing to more musicians: Less GAS, more inspiration, more incredible music to come back to. It’s nice not to be flooded with (as much) advertising.

The Misses:

  • Push 3: Technically bought it in 2023, but continued to use and evaluate it this year. Sold due to bugs (which have since been fixed) and because it’s so large. I may revisit it in the future.
  • Dirtywave m8 model: 02: I was stoked for this. Sold my original m8 to buy it, and then it just sat there. For some reason after my initial burst of inspiration from exploring the new-to-me tracker workflow I just found it a bit too tedious. I play my stuff more than I program it, and hooking up a midi controller defeated the point. Gave it a better home.
  • Roland T-8: Lack of midi cc control over the filter makes it damn near useless for me. It’s a shame, and something I didn’t think to research before purchasing it.
  • Doing the TallDog conversion for OpSix: I managed to fuck up the most important encoder and haven’t made time / had the energy to troubleshoot it. Might end up giving it away if deoxit doesn’t fix it because I can’t be arsed and don’t have the skills (and maybe tools) to desolder it if it needs replacing.
  • Korg EA-1: Bought toward the end of 2023 but have mostly used it this year so it’s going in this year’s list too. Sounds incredible, but my unit is seriously fucked (saved patches get corrupted, jittery knobs) and I don’t have time/energy to troubleshoot it right now.
  • Nrand Mono: Almost my dream machine, but too buggy. Sold it, don’t miss it.

Jury’s still out:

  • Microkorg 2: Sounds good, very light, easy to program and fun to use. We’ll see how I feel about it in 6 months. 11/27/24 update: Still loving it 8 weeks in.
  • Ableton Move: first impression has been good. Easy to use, very fast and very fun. Allows me to get an idea down very quickly that I can spruce up later. Bought it primarily as a travel device, we’ll see how I like it in that scenario after the holidays are over.
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Oberheim TEO 5 was one of the biggest hits for me.

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Hit:

Digitakt II - upgraded from the OG and its really lived up to what I’d hoped for. Being able to switch a track from midi sequencing over to playing long loops; loads of flexibility with 16 audio or midi tracks; 128 steps; chorus, 3rd LFO, portamento, new filters, etc. All make for a really enjoyable and productive workflow.

Sennheiser HD 490 Pro - sound fantastic, exceptionally comfortable. Managed to trade in some old camera gear at WEX to fund them, so they didn’t feel expensive either!

Piano - my neighbour gave us their old piano. It’s a humble but well kept upright, slightly out of tune, and I love it. The whole family does. I’ve never felt so creative as playing around with chord sequences and melodies sat as this piano.

On the fence:

OP-1F & P-6 - both great devices which I got to find my optimum mobile/on the sofa workflow. They’re both great, but I’m not productive yet. I have a nasty feeling something new is round the corner that’s going to make me consider selling them.

Meeblip Geode Nightshade - hasn’t arrived yet. Form the demos this is going to have a great, dirty, nasty sound that should fit right in. Looks like all the MIDI CC control will work great with the DTII.

Misses:

Nothing really. I’ve got a few bits of gear I’m thinking of getting rid of but they’re purchases from a long while ago.

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HITS

  • NTS-3 Kaoss Pad: Small form factor (which is important to me), extremely deep, if you go into combining effects, extensive MIDI implementation if you want to CC automate it (which I do from the M8). I’m still in the process of designing FX programs for it.

  • FaderFox UC4: I never understood why you would go for such an expensive piece, when you can have Korg Nano things for like 5X cheaper. Then I did my homework and came to the conclusion that these controllers were what I needed: MIDI ports - which I found is pretty rare nowadays for this for factor - so no need for a USB host (a hidden cost for all these cheap USB-only controllers), everything can be configured from the unit itself, really powerful and stable. Sure Intechs are good as well, probably more powerful, but I wanted something straightforward, with direct MIDI.

ON THE FENCE

  • Pretty bad GAS for the DN, either I or II, both are incredibly good machines. On one hand, I’ve got massive FOMO, on the other hand, buying one would be the death of my current live set, which I’m pretty satisfied with at the moment. There’s an inner struggle going on. I need to be strong. I try not to buy anything new anyway, because new gear kills your workflow and is an obstacle to achieving anything, for me.
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Hits:

Boss SDE-3 Dual Digital Delay - warm, clean, punchy, rhythmic, simple and midi sync able. 80s rack sounds quick and compact

Boss SD-1 Super Overdrive with early NEC c4558c IC - I waited a long time to try an SD-1. This early chip version is the ideal of overdrive to me… not too fizzy or rocky and sounds good through DI. I like to make a weird beat on Syntakt and then I rip guitar over it

Roland SE-02 - I should have bought this when it came out. I’ve been chasing these sounds on my synths forever, thinking oh moog is so played out, but no, that’s the sound I was looking for I guess. Presets and a ladder filter for $250. How did they ever allow this collab?! So underrated.

Not sure: Nord Drum 3P - Great sounds and great to play but the editing interface? Wish it was inside an Elektron

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Keep repeating this. Stay strong!

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Vermona Retroverb Lancet. I think it’s my favorite piece of gear that I’ve ever owned. I don’t like using it on synths because the drive doesn’t work well on the ones I’ve tried it with, but on guitar it sounds beyond incredible. I was shocked by the quality of the drive and envelope filter sounds you can get out of it, as delicious as you could desire.

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Gosh this is early. But here goes. No pattern to purchases this year. Mind you also not huge amounts spent, mostly on small to medium sized boxes rather than anything super expensive or capable. And the only stuff I bought new were the Theremin and Grind.:

Hits
Moffenzeef Stargazer - what a fantastic box of fun. 100% drone goodness in every way. Everyone should have one. Probably my go to bit of kit when just want to make lazy noise I can lose myself in. But then again, I do like a good drone.

Soma Cosmos - another marvellous thing that sounds good whatever your do with it. Partners well with the Stargazer for deep space exploration times

Dreadbox NYX2 - What a great bit of kit. Fantastic oscillators. Endless modulation options. Almost the perfect size/format. Big hit this one already.

Allen & Health ZEDI8 - just a nice solid mixer for no money at all. Why didnt I invest earlier. All those little mixing boxes can go back in the cupboard

Behringer Grind - just arrived but definitely happy - cheap and makes me cheerful. Wonky basslines ahoy.

Jury out
Stylophone Theremin - it’s a pile of junk, to be honest, but too early to move it on. Can see a few days of fun out of it, but not sure it’s a keeper. Edit: two hours in and I think I’m sick of it now. Broken already.

Various Resonance Circuits drone boxes - they are fun, but limited. Probably ones to keep, as small and fairly unique. But indulgences rather than essentials

4ms Noise Swash pedal - bought mainly out of interest. From before 4ms made modular stuff. Basically a mad distortion pedal. It is what it is. I’ll probably keep, but not sure I’ll ever actually use!

Misses

Probably only one - the SQ64 - what an annoying bit of kit. Perfect form factor, loads of connectivity, but useless manual, poor UI, just generally confusing and annoying. All the walkthroughs online relate to its first firmware which was deeply flawed. Its new firmware, which actually fixes all the problems of v1 has nothing by way of the same amount of info available. Going to move this on quickly I think to someone more patient and resourceful.

New year resolution
To get shot of all the stuff I don’t ever actually use. It’s becoming too much. Why do I need to keep the Sherman Filterbank. Even if it looks spectacular, it’s too big, requires its own power supply, and barely gets rolled out. And much as the Syntrx Mk1 is a lovely thing, someone else can probably better afford the desk space it takes up when out of its case. 2025 must be the year of divestment of unnecessary stuff.

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I’m kinda with you at the moment. I wrote so much stuff when I first got my M8, but now I find it kinda tedious and other machines keep pulling me away from it.

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Just one hit: Analog Four MK2, I find it even more interesting to work with it than with DN (which I really adore), very complex and I need to devote a lot of time to it, but I have no regrets.

No misses.

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HITS:

Softpop 2: i just love it. Super easy to use. No sound is out of reach.

Kobol Expander: shortly after I got it, my (now sold) Minilogue XD became my MIDI controller. I especially like that you can change the waveform continuously (i don’t know others as I am new to semi-modulars)

MISS:

Behringer Pro VS Mini (now gone): sounds OK but it made me realize I am not a tiny synth guy. The sound also needs a lot of post FX in my opinion. On its own, it was…weak. What i learned from that adventure is that NEVER trust videos where people use pedals!!!

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It was a fairly slow year for gear acquisitions. The only big purchase item was a Sequentix Cirklon V2. I will assume that it is a hit because the shipping box has not been open since it arrived in June. Overall, too busy with music projects where the Cirklon is not needed.

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Hits:
Ableton Move: Does what it says on the tin, and IMO really illustrates the power of controlled expectations.
Boss DM-101: A luxury item, to be sure. But what a luxury it is…
Zvex Machine: It’s a wave folder tuned for guitar. We’re not hurting for “crazy fuzz” these days but this one still stands out in my mind; I’ve wanted one since the day I discovered Zvex and I finally found a nice 2005 Myrold on the local buy-sells.

Misses:
Korg Radias: My “attainable dream” synth since around 2009, i finally got one at a good price this year. I quickly found that if I’m going to use presets I’d rather use Ableton stock synths, and if I’m going to use panel controls the Radias isn’t my ideal partner.
Elektron Octatrack mk1: i love everything about this box, but after more than two months I was still working my way through the basic tutorials. I’m just not at a point in my life where I can develop and maintain new muscle memories so for now, I’m dug in deep on Ableton Live, Push, and Move.

Unexciting purchases that I nonetheless appreciate:
Teenage Engineering PO-400: This was a birthday present from my wife and I initially had to feign excitement, but paired with Ableton CV Tools, it’s a really solid and affordable modular for people that don’t want to go all-in on Eurorack.
Zoom H6essential: The last thing I bought. It’s so so boring but it does exactly what I need it to.

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:rofl:

Hope she’s not on Elektronauts.

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mostly hits this year

Hits:

Casio CT-S1: just a straight forward digital piano. ive been enjoying using it with battery power recently. the speaker is great for my uses. easy to turn on and meditate over some chords. the sound selection is just right too, the epiano sounds so smooth.

Roland MC-101: i sold my original one this past summer and just rebought a used one. super glad i tried again, its been great for when i want to slam out some cheesy house or something like that. im a roland man, we speak each others language.

Roland P-6: another grand slam from my favorite people, this thing kicks ass. its the tiny 404 i’ve wanted. didnt think it would be my lil ambient box but it does just what i want for a zone out session. the sampling is crazy fast too, love the quick sample chain creation, love having a portable Cassette effect with an easy way to mix in external audio. big winner right here.

Yamaha Reface CS: this helped me improve my understanding of synthesis. i like that i can turn it on quickly for a random synth line, love the battery option. i really enjoy how wild it can get too, i use it when im trying to mimic a sound i hear outside my apartment. good way to build those synthesis chops.

Moukey 6-Input Mixer: this rules. it was less than $40 and does what it should. thank you Moukey

Misses:

TE EP-1320: yeah it was fun for a minute, but it really is just another EP-133. the multisamples had me hooked for a minute but then i started missing the MC-101’s significantly better real instrument sounds. glad i was within the return window on that one. still had fun making tunes on those cocoa paeds tho.

TE OP-1 Field: this was a gift to myself after completing a really long side gig. it was fantastic during the summer when i was doing my park tune project. loved having a sound source that was that slim. the battery life was great, the fact that it charges other devices is great. however i found myself running into the same kind of sounds and got tired of the different engines. i never bothered with the LFOs, im sure more can get worked out of it, but i just got over it. then the microphone stopped working and that was one of the big parts that i enjoyed using. Bought the MC-101 after I sold the OP-1F. recouped like two thirds of the price i had paid so in the end seemed like a solid multi month rental.

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Hits (most will be modules)

Vhikk X: it’s like someone got into my head, took all the sounds I can’t really translate perfectly onto my machines, made them 10000x more evil and stuck them in an incredibly deep, playable module. It’s what I imagine the end of the world sounds like (not to be dramatic or anything).

Digitone II: it’s only been a couple of days to be fair, but it’s already one of the best things I have ever used. One of the things I love the most is that it has hit this elusive balance of being an all in one box without leaning towards “limitations and workarounds” to get what you want, nor is it a DAW in a box. The sounds are great and all, and it’s a hell of a sound design machine, but really there’s these little additions/upgrades they’ve done to the Elektron workflow that makes it so much better, but also still familiar.

Xaoc Leibniz System: if I start with this one, I won’t stop. I’m still wrapping my head around them all even though I got them incrementally, but there is nothing like them. I’m already a massive Xaoc fanboy which probably makes me slightly biased but these are on another planet. Genuinely the most fun I’ve had with anything musical in years. I still have no idea what binary numbers are or how it fits into anything, but it really doesn’t matter.

Woovebox: in what I thought was my never ending search for the perfect portable little machine, I stumbled across this one. I was initially sceptical because it looked like something I would 100% be stopped by airport security for, and the workflow seemed be an immediate “nope” but after being told so much about how you really need to just have it in your hand to see how straightforward it is, I caved. And my god is it simple to use. Like it somehow downloads muscle memory regarding how to do everything within 5 minutes. And it is deeeeeeep, sounds very very good, does absolutely everything and the kitchen sink and it is tiny. And super affordable too. Honestly I cannot fault it. I’ve not tried the M8 and I have 0 interest in paying “I actually got it for £900 after import” prices, but for an on the go machine I’m very very happy with this one.

Disting NT: another one I won’t shut up about it I start, but if I were to sum it up: take everything you disliked about the older Distings, bin them, then grab a bunch of Distings without said dislikes, and stick them into one module. You could record an album with just the NT, including multitracking your sounds to your DAW if you wanted to via usb. 10/10.


Misses

Polyend Tracker Mini: I tried to love it. I really did. But clicking around to fine tune samples with no pots is just not fun. The synths sound like an afterthought. And 3 max at a time? Like it’s a favour not a feature. I don’t know much about granular nor do I use it, but in my very limited experience - whatever is on the tracker mini is not it.

I said before about the whole not a daw, not a “limitations breed creativity” balance, and this one has somehow spectacularly hit both in all the wrong ways. I’ve heard people do a lot of cool stuff with it though, so it’s most likely a me problem, but yeah it was a quick sell.


I think that may actually be it for misses this year which I hope is a step in the right direction of not buying crap for the sake of it. The years before that though…

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Hits:

Machinedrum MK2 UW
I don’t think I could explain the joy I feel when I play this machine.
It👏sounds👏fucking👏great👏
Best drum machine I’ve ever own. Can’t to wait to build a megakommand for it.

Octatrack
I’ve had one in the past, and like everybody, thought it was too difficult.
Then, now that I have been thru the monome ecosystem (and I’m not going back there for the love of god), bought a new one to realize that is not that difficult.
Maybe I know 70% of the features this very wonderful machine has, but I don’t really care. I know what the octatrack should do for me and that’s the point I guess.
This octatrack is going to stay.
Also, Im recently subscribed to ezbot’s patreon: his templates are great, and since the moment I did install one of em on my OT, my interest in learning the octatrack more has gone thru the roof!: is always like “wait, how did he did THAT!” kind of moment.

A laptop: YES
I did miss Ableton when out for work. Even tho is not the most advanced piece of equipment nor the most powerful, for a person that did have only a full tower for 7 years, it is something.

A patchbay

On the fence:
Analog keys. I bought it used in excellent conditions for a steal.
It sound amazing! And I love the fact that the keys have independent LEDs each.
But it is huge. I did play once with it live and Is big.
Also: WHY THE HELL YOU PUT MINI SEQUENCERS SWITCHES ON YOUR GODDAM BIGGER SYNTH?
Jesus, there’s so much free real estate on this thing. Just why?

Misses:
Monome Norns + Grid: I did built both and I was really affectionate to them. Still it was a nightmare of bullshit nonsense using them to actually write some music!
Want to do cool aesthetic Instagram posts? Go for them. They are great. They are also great to do generative always random always drenched in reverb always generic bullshit. They do that wonderfully!
But then, try to:
Hook it up with something that has not Ableton link;
Do a piece of music the same way every time, in a reliable way;
Remember every functions and what-this-button-do every damn time cause muscle memory does not work unless you use the same script for weeks.
After years of trying every script possible on it, I was just using mlr and its variations. My octatrack does that much much much better.
Also: never again going to something with rubber pads.

Analog rytm MK1:
I did love mine so much and use that extensively!
But after I did acquire the machinedrum, it did have to go. Still, I prefer kicks of the rhythm over what I can do on the MD, so glad I did sample a little but of them :wink:
I still think that amalog rytm MK1’,s for the price they are going now second hand are the best choice to most of people!

I’ve got a bad gas for a digitone 1. I wanted before, now that the 2 is out, I can get an MK1 for ~300 euros.

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Hits:

  • SP-404 MKII: I use it for everything else than sampling/sequencing, but hey :slight_smile: It’s my end chain live mastering and performance effect unit, skipback rocks for capturing ideas and happy accidents, I even used it as an audio interface/effector to remix a bunch of my old hiphop demo tracks - with a bit of SP magic and some EQ-ing they now sound pretty cool. It’s also only device in my setup capable of playing long stems. It’s a swiss army knife and pretty easy to use for such basic tasks.
  • Korg NTS-3 Kaoss Pad: love the sound, love the interface, it integrated easily in my setup (via MC-707) and instantly became a permanent member of it.

Honorable mentions:

  • Audio Pro T3+: I don’t use it much, since I mostly work on my desk and connected to monitors, but it’s a very cool portable speaker with AUX input, no latency, sounds good, looks good, feels quality…
  • Endorphin.es Plus 3: again, not something I use a lot (because Keystep already has hold function), but for stuff that don’t have it it’s very useful - small, nicely built, inexpensive, can replace two foot pedals.

Jury’s still out:

  • Source Audio Collider: sounds great, has midi for presets and sync, hands-on controls, great build, can be delay and reverb at the same time… yet I just somehow don’t gel with it. Shared knobs are annoying (I also don’t like their design - it’s like they’re designed to be set and forget rather than tweak) and I constantly tweak the wrong effect because I forget to switch between them - there should really be some light showing what is selected). Tempo sync is weird and limited, tap tempo function can interfere with bypass (same button), there are some missing parameters (like stereo delay width), I never know what those two control knobs do, sometimes tweaking certain parameters interrupts the sound, cables on all sides limit it’s placement… I now mostly use it just for dome reverb, which is great, but not sure if it’s worth having it for just this reason. I might just not be an effect pedal person, but I’m still giving it a chance.

Misses:

  • not selling anything this year I don’t use (there’s quite a few candidates)
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