I don’t even know why I say this stuff because nobody on here seems to use the OT like I do, maybe that’s why I do say it… I make all my patterns out of recorder buffers and make a lot of flex slice tracks for them and have different fx and use scenes in crazy ways to mix the flex trick tracks and the fx and things, and warp their parameters…
I only do live sampling/looping so my patterns and parts can work differently according to the audio I feed into them… I memorize what they do and just mix and match as I go when performing, all manual change… Sometimes I don’t know exactly what it’s going to sound like but I know how the flexes and fx are set up so I have a basic idea… It’s fun to be sort of surprised with the results as I’m jamming and keeps me entertained and excited…
I do have a couple prepared samples loaded on a few patterns, like an Alan Watts speech… So I jump to that one when I want Alan Watts over my jam and then have pickup machines on most other patterns on the same track so I can switch to other patterns and since there’s no trigs on pickups and I don’t have starts silent activated for same track number on all patterns, I can keep the speech going over different patterns and continue to just choose them based on the sounds of the moment…
I do have to be careful about midi tracks because they’ll be in a certain key, but my flex pitch shifts will always work because they’re relative and not fixed… More stuff too, but that’s the basic idea, mix and match patterns that warp live incoming audio, while being surprised a little myself by the results which then affects how and what I’ll play over it or into it next… Also continually warping the audio and then removing the original loops so the jam just keeps evolving…