Your Setups (Part 2)

While you didn’t ask for recommendations, I’m going to give you one anyway - I got IK Multimedia iLoud Micros for my similarly small space and am very happy with them. I mounted them on the walls to keep them out the way. I do still use headphones a lot, for the fine details of the mix, and also not waking up the kids. I always consider getting wireless ones so that I can move between instruments without feeling tethered, but I keep hearing inconsistent things about the quality.

I used to have larger KRK Rokits but I found them a bit too boomy (if you’ll excuse the highly technical language) in that space, presumably because they have rear woofer ports, but I couldn’t place them far enough away from the walls. iLoud Micros have no rear ports.

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I owned the Ilouds and while they’re really good for the price, they still have quite a deformed bass. I didnt find them neutral enough and am going to try out a pair of small ADAM Audio D3V.

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Lost my ‘studio’ when my daughter arrived, using a corner of my bedroom until we’re able to move.

Trying to keep things minimal to work quicker, time is precious these days.

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I’m having the exact same issue with my KRK’s. Definitely too boomy and can’t have them far enough off the wall.

Will look into the iLoud Micro’s I need to replace these KRK’s

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Looks perfect! I’m so glad Elektron released the Tonverk shortly after my child arrived, I removed almost every other piece of gear and it’s nice having a more focused setup.

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You might wanna wait a little while for these then

Adam Audio D3V 2-way Active 3.5" Desktop Studio Monitor System


https://www.juno.co.uk/products/adam-audio-d3v-2-way-active-3-5/1158873-01/

  • Handmade Precision D-ART Tweeters
  • 3.5’‘’’ Aluminum Woofers plus dual-sided 3.5" passive radiators
  • Total Peak Amp. Power: 240 W
  • Frequency Response @ -6 dB: 45 Hz - 23.2 kHz
  • Max. SPL per speaker at 1 m (Peak): 97 dB SPL

Think I’ll invest in these ones once released.

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I dont get it. The D3V’s are from 2024 and available everywhere.
As far as i can see Juno has the entire Adams range “forthcoming”
Or do you mean there’s a new version coming?

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I emailed the store yesterday when I seen the “forthcoming” advertised no reply yet as I was assuming there may be a new version coming. If not I’ll probably get them anyways sound great ideal size for my small setup :ok_hand:

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Over the past two years, I’ve bought and sold more than I’d like. A Roland MC 707, Blackbox, Bluebox, Modal Cobalt 8M, a complete Eurorack system, Microfreak, Polyend Synth, a first Tonverk, and a few others I can’t recall are all gone. I haven’t owned them all at once. I try to maintain a balance of 3 or 4 machines at most, not counting MIDI controllers.

After months of searching, I think I’m getting closer to how I want to work with the machines. I’ve tried using them all together, and that’s only given me headaches. So, I’ve come up with the idea of assigning a role to each machine, although this can change depending on how I feel.

So…
Digitone 2: The origin of everything. This is where the ideas begin. It handles the main polyphonic work, pattern creation, main structure, etc. It’s the machine I take everywhere and the one I feel most comfortable with.

Tonverk: My substitute for a modular system, for crazy experiments, and also some polyphonic work. I’m not yet comfortable giving it the role that the DNII has. More for sound design than for pattern creation.

Digitakt 2: The finalizer. This is where all the tracks I create on the other machines end up. I cut them, flip them, stretch them, replace sounds, etc. If this system works well, the finished tracks will come out of here. It’s the boundary where MIDI ends and what remains are a handful of audio files to work with and finish the ideas.

After several tests, this is the most comfortable configuration I’ve found. I envy everyone who can use 4 or 5 machines at the same time without it exploding

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Even 3 can give a headache. Clean setup, maybe is missing some moody light, and a nice graphic or painting on the wall for vibes.

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I guess I am the opposite. Moody light, but not clean at all :sweat_smile:

Can’t wait for the powerhub…

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Well, at night I turn on the lamp above the left monitor. But the photo looked better with the overhead light. I do need to decorate the walls a bit.

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It’s perfect!!

Thank you, but believe me, it’s not, it’s a fraud!

I made the desk, the first time in my life doing something DIY and it was a terrible idea since I am neither skillful with my hands nor patient.

half of it is not even painted because I was too lazy

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Haha. I understand, but I still think it’s fine. I opted for the cheapest desk, and now everything I put on it wobbles. It doesn’t matter if it’s a computer, a glass, or a lighter.

Finally got everything all wired up since moving back to Chicago last month.

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Da Bears!

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About 1.5-2 years ago, I decided to explore hardware. Prior to that I had picked up some MIDI controllers and a sequencer or two, but no synths or drum machines/groove boxes - nothing that generated its own sounds, at least not since career and kids had come along.

After a bit, the hardware in one setup felt unwieldy and confining. So a few months after the Live 3 dropped, I bought one and moved toward dividing the hardware into two setups: one PC-based, the other MPC-based. Initially it was a Frankenstein mess still in one room, overlapping, and the goal then became to find some way to logically break things into two physically separate camps.

Add to all that the developing obsession with learning how things work and interconnect by trying a million different setup iterations, spending days re-wiring for each new setup, and often confronting MIDI-related situations that were a consequence of trying these various configurations. Oh yeah, and some bullshit with MIDI 2.0 and the related Windows 11 updates (thanks, Pete, for all your efforts on this - sincerely).

At some point in my little saga, I debated whether I was into making music or just fucking around with collecting gear and devising setups. Jury’s out on that. (Ed. note: It’s obviously the latter.)

Anyway, could well be famous last words but I’ve gotten the MPC setup to a point, finally, where it basically all works the way I want and feels comfortable, both physically (neck/back pain issues) and in terms of immediacy and playability/programmability. And it’s fun to play, which has to be a sign. Even more fun than spending hours working out audio and MIDI cable routes.

So as a marker in the sand:

PC setup coming along soon.

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@pc77: I think this all looks very well laid out and like one coherent unit. There’s a lot going on, yet it doesn’t look totally cluttered or overwhelming. So I‘d say all of the time spent on building and deconstructing setups has paid out. Whether it helps you making music you like, I can’t tell :laughing:.

Edit: that racked Hydrasyntgbid hilarious. I hope you’re tweaking those knobs a lot :wink:.

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Hah, yeah…the Hydrasynth in that low rack already has me looking for an iPad editor.

As for making music I like, I’m less goal oriented with music making and more process oriented. If I’m learning and ¿developing? (bearing in mind it’s all remedial), then I’m happy. I have no desire to release “albums” or any of that. My happiest end product is a bit of music that I might enjoy listening to in the car while running errands.

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