EMX-1 with the A4
Hey! I started with an EMX, and when I got […]
Then I wrote a wall of text but deleted it because it would distract you from the point of my reply: GET THE OCTATRACK NOW.
Sample your EMX with the OT, use the OT sequencer to control the EMX, turn all the knobs and make everybody dance!
I’d like to hear from someone very used to an MPC
Don’t have a lot of experience with the MPC but I spent a few afternoons jamming beats on my friend’s MPC1000. For sampling, recording and slicing, the MPC is really an awesome machine and the Octatrack will hardly get close. The power of the OT is in the sound design capabilities, and being able to turn a sample of farting into a dubtech minor chord in a few seconds (well, almost), plus the fantastic sequencer and all those knobs for fast sound manipulation.
I did not go too deep into the JJOS advanced features, but as far as I was pleasantly surprised by the MPC sequencer and perfect for arrangement, but found the box not that awesome for sound design. Sure you can apply filters and effects on your samples but it was nowhere as immediate as on the Octatrack…
I think you really understands the Octatrack sample playback the moment you consider your sample as a complex synth wavetable oscillator.