Cheers. Downloaded the Manuel nowš
Itās take ages to edit audio on it compared to the 2500. Couldnāt stand it when I owned it a couple years back when it came out.
Cool edit pro was wave splicer back then. I had that do the slicing and bounce back to disk. Play on the 2000xl and get it done. Good times.
My suite of software back then was Cool Edit Pro for slicing, Soundforge for stereo editing/polishing, and Opcode Vision for MIDI.
Good times!
Novation SL61 MKIII
I want to try integrating it with Octatrack and Rytm MK2
I also love how the 16 sequencer buttons can be used as quick āchord memoryā locations
Yes, but then, whatās the point of a stand alone machine if you need the computer?
The 2500 with a OTO BOUM will give you speed and more punch than the 2000XL could ever deliver.
I did so much work with Vision on my squat little Mac Plus (before the audio days, when it was strictly for MIDI sequencing). I loved that program.
Great demo, definitely a hidden gem for sure. I know Autechre used modded versions of this series in their early daysā¦ Iām sure Iāll pick up a few at some point.
I havenāt actually purchased it yet, but Iām teetering toward grabbing a Skulpt. I really like my semi-compact desktop setup right now, and this would fit right in for a touch of subtractive poly-synthery. Iād probably control it with one of the Digis or maybe the M:S rather than its own sequencer. (nicer flow I think that way)
Any thoughts on these little guys? Iām āthisā close to clicking the buy button. I really like what Iāve seen/heard so far.
Interesting!
I really like the mk2 better !
Like, reallyā¦ I know for some people itās the footprint, for other the priceā¦
Of course.
But A4 mk2 is not THAT much larger.
The sound is better IMO. More ārawā, if you need it to be that way. And having access to a performance knob while tweaking is awesome.
And, well, separate outs
Iām a bit of a cheerleader for it. With the continuously variable osc shapes and filter modes itās got a surprising range of timbres and it does sound really nice - there are plenty of demos to give you a feel for itās sound which Iām sure youāve done to death but I was taken by surprise by how nice it sounds when tweaking it in person. Mineās is connected to my DT/DN and itās my plan to use it as part of a wee live rig.
I also backed their forthcoming Craftsynth2 on Kickstarter too as it offers a nice companion monosynth with a whole bunch of interesting features for waveshaping.
Nice! Yeah, Iāve checked out quite a few demos, and like the sound of it. The interface seems usable, and the features are good. Iām a big variable waveform and wave shaper guy, so this seems like it would be fun. The size fits into my desktop environment too.
Guy wrote me back alreadyā¦he has no experience with the RSD-10. Soā¦unsure if its laid out the same way.
Iām familiar with the MK2 attributes from my Rytm MK2.
I just prefer the A4 MK1. (and its lower used price point)
Iām liking this tip.
I was originally using the Lego Tyres over the encoders on my Op-1. They made for a better grip/control. I bought a ton of them and now have 4 rack effects units separated by them.
@finalform I have a spare set of 4, if youād like some. I can drop/post them to your E20 abode.
Thatās very kind but no need, Iāll try some spares from my sonās collection. Cheers!
the wife has just text me to say that I have a Digitone-shaped parcel awaiting me at home. This is going to be a long afternoon.
It was a Zelda Hori Battle Pad, a usb gamecube controller for the Switch.
I intend to massacre my friends faces on Super Smash Bros. Ultimate with it.