This. I wonder how you lay down melodies in the sequencer. Do you just hit record and play the notes in live? Or is there a fancier/better method you use?
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nope. thatās it! or it was with the Monomachine and Octatrack mainly. with the Cirklon thereās more options to do interesting things. but thatās typically not how Iāll write a lead/bass part though. itās more for background textures and such.
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Yep! Thats how I work. Want an 8 bar/16 bar phrase? Chain patterns, hit record, play. Either have quantise on, or tidy them up after (Iām a crap keyboard player) Then go back and add the chords, or counter melodies, call and response etc
No magic trick really.
Sometimes I think Id like an MPC for more flexible sequencing, but I enjoy working with the elektron sequencers.
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My music isnāt prolific by any stretch, but I made this one video with a Volca Drum that got a butt load of views in comparison with anything else Iāve done.
I think it was just timing. It was very new at the time, and I was just playing around with it.
I donāt even have one anymore, but if anyone here doesnāt already have a dedicated drum machine itās VERY good for such a small thing.
Definitely awakened my love for sequencing rhythm though. Even now I have a Model:Cycles, XFM and MC-707, but I spend most of my time just zoning out making beats.
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Nice. I definitely watched this video right after I bought one and it led me in some happy directions. Cheers!
I also donāt have one anymoreā¦hahaā¦but it is definitely a cool toy.
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I bought a Korg Oasys in 2005 and It enhanced my skills and productivity immensely.
And during those time I received more offers to release my music than Iād ever receive previously or since.
Really amazing times but unfortunately I never did release anything.
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How come?
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Too precious about things.
Thinking tracks werenāt ready when labels were saying otherwise. There was 1 occasion though, when I couldnāt provide stems for a track, that I was happy to release, but the label wanted to optimise the individual elements. I didnāt/donāt work that way, so that was disappointing.
Thatās why I bought that Blast Radio box. Just going to knock things out and broadcast, ready or not.
In fact I no longer care about releasing music in the traditional sense.
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Iād be interested in this one! Couldnāt find it in the āyour modularsā thread, care to share?
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Fair enough. I wouldnt provide stems either. A) I dont have any to give as I record a stereo mix from the mixer B) even if I did have stemsā¦ er rude! They either like my music or they dont. Optimiseā¦ get stuffed.
Labels suck. Do it yourself 
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Yep. I agree 100%
It caused a little bit of tension at the time with myself, the label and others that had heard the track.
People saying that it should be released as it was.
But I understood the labels concerns.
Thing is, the label later went on to start a subsidiary label that released old, forgotten demos that were on dats. Simple stereo mastered tracks without stems available.
Oh well.
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Iāve always thought this too.
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None 
ā¦ 
this instrument has also been prolific for me.
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Analog Rytm mkI here. Iād estimate Iāve made around 350 fully jammable patterns with it.
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Rytm mki, Model:Cycles, Digitone Keys.
Sure Iāve got Ableton and a PC, but limitations seem to help me not retreat into overcomplicating a production.
I need to give the Blackbox another try, I had a hardware issue with mine and didnāt get very far.
Got a link? I can always find a local one, but that looks sturdy enough 
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Cant find the link, maybe they dont have them at the moment. Iām in Australiaā¦ I got it from a shop called fantastic furniture in the nearby town about 30km away. It was about 70 AUD if I recall correctly.
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Canon M6 and Mitakon 35mm 0.95.
The M6 is a workhorse mirrorless APS-C. Itās actually the size of an old prosumer film SLR - current dSLRs are huge. The magic is in the Mitakon lens. I donāt know enough about optics to say learned things about the history of optical formulas. It is a very fast lens that softens wide open and handles point light sources very well. Finally, the Canon has an 1/8" stereo audio in jack.
My video production process is:
2TR out from my mixer into the M6, video set to VGA, Mitakon somewhere between 0.95 and f/2.0, press play, press play on the sequencer, press stop, done.
I suspect that both the ritual aspect of publishing a track in the form of a short video and the likes and views from whichever sharing or social media service is popular encourage me to finish things.
Edit: Two things have happened since I bought the Mitakon lens - prices have gone up, and several other 35mm 0.95s have entered the market. Five years ago, if you wanted a lens that fast you had to spend $11k on a Leica Noctilux plus an additional $5k+ on a Leica body.
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Itās the OP-Z for me. Itās so direct and easy to a) come up with ideas and b) screw with them until you have something really interesting.
I like how itās all-in-one, including separate keys for the sequencer, and for playing the notes.
The step components let you add a generative element to any track, and the key combos for things like pattern length or switching sounds/samples make it really fast. The Elektron sequencers could pick up a few tips here.
I just wish it was easier to track into Ableton. TE Overbridge would be cool, but given how weird the OP-Z app is, maybe not. Recently Iāve started recording it into the Octatrack. Maybe thatās the answer.
(Pro tip: For me, the very tightest, easiest, and fastest way to get stems from the OP-Z has been Beatmaker 3 on iPad. Solid).
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