Pure beauty. Mad mike is a genius !
Not my usualā¦but this is hittinā right now
The Human Drummachine
This is possibly my favourite thing ever
Sinjin killed it with his debut record this year.
Loads of ambient stuff lately; Lowercase Noises, Steven Kemner, Amuletsā¦ Plus the usual TTA, BoC et al.
This is amazing. Iām gutted it isnāt on Vinyl.
Have you listened to much of his work? He does a lot of tracks with Zora Jones. This is my favorite kind of production right now. A sort of post-juke thing like Cakedog or Yasha.
No, never heard of him or the label before. Generally speaking iām not particularly into this kind of thing, but I really really like the track you posted and loads more on the lp. Cheers for that.
Chilling to the new Synkro
John Coltrane Quintet, āComplete Village Vanguardā to accompany my reading Coltrane on Coltrane (interview collection). So nice to return to a classic.
fantastic recording - the music is Feldman-esque (a coarse comparison), with elements of noise (no-input mixer by Toshimaru Nakamura), good variety of percussion + nuanced / restrained playing (live) - one hour duration
No input mixer? You mean just harnessing the sounds of the analog circuitry in the mixer itself?
well, feeding the output into the input, and then routing the feedback out to an amplifier (possibly through effects)
you can get a nice range of feedback soundsā¦ low rumbles, hissing, motor-like sounds, piercing, high freq. feedback etc. it can sound massive, or very slight.
you can do this with pretty much anything (effects box, mixer, amp, etc.) that has at least a couple outputs. Iāve used a couple of Ibanez DM 1000 digital delays (rackmount) for this purpose - itās great for raw feedback, though itās difficult to manipulate precisely. I tried it once, successfully with just a solid state amplifier.
MoāWax ftw
Thanks for the info - love this sort of stuff. Have been doing some similar stuff with the speaker from the Koma Field Kit.