I came across some really neat sounding behavior when experimenting with some modular gear routed through one of the synth tracks. It works with the internal voices too though.
First, set a trig with length 16 as a one page sequence. Turn the arp on TRU mode (default settings so x6 and 3). Then, set the track’s amp release to inf. Also enable polyphony for the arp track and two others, and your voice allocation to “reset”.
When you play the sequence, because of the infinite release of the notes, it creates what I thought to be an interesting interplay between the notes that’s very different from what you would expect from that arp mode. I still can’t figure out exactly why it behaves this way, but it sure is a cool trick 