It takes the incoming sound and drops the tempo of it. Like if you were to play a sample at -12 semitones it’ll slow it down. Then you can have the actual amount of semitones be modulated by the shapers automation tool and of course adjust the mix and have it only effect certain bands. On a basic level it’s great for emulating tape stop effects but you can get real wacky with it. I’m still like a more powerful version of FL Studios Grossbeat.
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