OT is extremely cool for this type of things, I haven’t got it and probably will not get one anytime soon, always thought it’s too complex for my basic needs, and I already know and use Ableton very well, but yeah OT is amazing, and as far as I understand with 8 tracks it’s possible to capture some loops in a real time, sequence it on other tracks, than add some “algorithmic” / “generative” sampling and sequencing capturing the master out… It’s really crazy… And there’s no need in 10000 sounds, it’s possible to create really interesting textures and compositions out of just 1 or 2 samples, or basic mono synth or field recording…
Maybe they’ll release something like OT3 or whatever later so I could jump into this train… but ok it’s already off topic : )
I really like this kind of technique, it’s really meditative, you don’t need to push yourself into menus and options and stuff… Just relax, listen to what happening and interact with the flow of the texture. So the tool should be basic and simple, “closed eyes operation ready”.
Yeah Rose is quite close to “that kind of thing” I guess. Want to check it in person. It is simple, and that’s cool. What I discovered is that the real sonic complexity and truly amazing and interesting things are often easier to achieve with the most basic tools and interfaces, that’s the magic of instrument design.
With those things it’s really hard to tell if it will work or not just by looking on the specs, I thought Strymon Timeline / El Capistan will be perfect, but after trying it in store I gave up after 5 mins - yeah they can do this trick, but really “gently” without surprises and options to break the loop insanely, and also control isn’t 100% transparent.
At the same time I found old used Pigtronix Echolution at the same store and decided to give it a try without too much hopes, I could stop playing with it only after 2 hours and only because the guy came and told they were closing… Really inspiring toy and it gives really unexpected results. And the fun starts when you modulate the time by the amount which gives “musical” intervals, like sequences… Immediately stimulates imagination. Thinking maybe to get one…
In euro - yeah > 4ms looping delay, EURO DDL, Strymon Magneto, Morphagene and Mimeophone, Arbhar and Lubadh… all super cool! Let’s rob the bank and get all that stuff : ) But there’s some kind of magic in guitar pedals, like it’s simple, usually not too expensive, made like tank so it’s easier to build “instrument alike” relationships with pedal, at least for me…