[justify]“work hard at what it is that you’re trying to do, and opportunities are just presenting themselves. It’s all based on hard work and labor, and being really honest and real with what it is you’re trying to do” - actress
[/justify]
[ul]
[li]compose/design/arrange THEN mix[/li]
[li]10 Minute rule - if you spend more than 10 minutes on something, it’s not getting better[/li]
[/ul]
[ul]
[li]broad strokes in the beginning - determine space, energy and refocus where necessary[/li]
[/ul]
[ul]
[li]SUBTRACTIVE EQ [/li]
[/ul]
[ul]
[li]microphone distance makes depth [/li]
[/ul]
[ul]
[li]take out what you don’t like with subtr. EQ and boost what you like with compression[/li]
[/ul]
[ul]
[li]start anywhere in the mix, move around freely[/li]
[/ul]
put your best mix advice here. these are a few tips from collected reading lately. works great mixing in elektron boxes
formatting is goofy because i copied from a text doc.
A nice trick, I am really happy with, I learned from a guy working with mastering. When creating a track, start by setting the volume of the kick to -6dB max, set the bass to -8dB max, then balance and ajust the rest of the sounds from that basis. It will sound better and make the mastering easier.
as for my 2 cents, i would say that it’s important to always have some patches/kits ready for you to begin composing with. so, in other words, try to have some nice building blocks to start composing with so you don’t lose focus before you even begin.
in the elektron boxes, i think separating sound design and composition can be a massive help, at least in the beginning. it blurs together later on once your machine is full of sounds/kits you have thoughtfully crafted, but trying to compose with lame sounds can really kill an inspired state of mind.