Pawel is quoted as saying: “special technique for doing rhythms which, to my knowledge, is only possible to do with the Octatrack. I used it in Dying Light: The Following as well.”
I can’t seem to hear any special OT rhythms on the sound track - though the soundtracks great, and i can hear the mm, and OT and A4. Is he referring to drums or just an overall rhythm?
You can turn any of your delays into a looping device on any track. Go to your delay set up page, turn sync on, lock on and pass off. When your delay is set to 0 it will engage loop and any positive value will disengage loop. Adjust your delay time to get different loops intervals. 128 is a full beat 64 is a half beat ect ect… It sounds great on percussive loops. You can even assign the delay send on the cross fader to jam with your looping effect.
The OT is more musical with its looper imo it’s not clunky like Abletons. I use the thru machine to feed it sounds and once the loop is on it take a snapshot from the moment you engage it, no quantizing. You can set the signal pass thru either way. If you want the original signal to continue playing while your loop is going thats possible. I like to cut the original signal and just let the loop play. I swear you can make anything sound like a funky rhythm.
The lock on / pass off patch you described above is the “echo freeze” capability that gives the OT’s delay the name “echo freeze delay.”
Anyway - yep - this is the one for crazy rhythms. I especially enjoy it on the entire drum bus rather than individual drum sounds.
If you route a random LFO to Delay Send, and get the LFO’s own send level into a sweet spot in relation to a >0 Delay Send level to get slightly more control over the probability of triggering the freeze, you get the whole drum bus repeating or glitching out with a degree of controlled randomness. Plock the LFO send to 0 for all steps that you want to ensure 0% probability of freeze. Good fun!