I’m not sure how easy this is to implement, but it’d be really nice to have more musical control in chord mode. (It seems geared toward techno-genre moving m7 or m9, or m7b5 chord stabs around?)
If I might add to a wish list on Elektron possibly improving the list of chords in chord mode:
- Keys players generally prefer rootless right-hand voicings for better sound: (Fmaj9, for instance, is played EGAC or inversions, while the F is played by the bass or implied by the melody. 5ths are also often omitted with [edit:no] change in character.) When you skip the root, it lets you play other very common chords: this opens 9, 6/9, 13th chords, and much better voicings.
- Rootless voicings open possibilities for adding some of the more commonly used dominant chords: 7#9, #5b9, alt (#5#9). Purple Haze. Josie. These are good sounds.
- Some of the chords in the list of 38 are … well, wrong? That is to say, they describe different, more simply named chords in ET harmony: C M6add4no5 = Fmaj7; Csus4add#5 = Fm add9 (awkward voicing); Maj7/6 no5 = Amadd9, CSus4#5b9= C#maj7.
- Different organization? It’d be really nice to have functionally similar chords—major, minor, dominant—adjacent to each other on the list so LFOs could, for instance, comp or substitute between, e.g. m6, m7, m9, or 13 and #5b9.
Sorry to respond with a slightly different topic (been thinking about this), but I also definitely agree with you that some way to lock to a key—so that moving around triads in C, e.g. would just play white notes—would be really nice and make the chords much more useful. I doubt it’d be easy, programming-wise, to peg it to the KB SCALE feature, but that would be amazing. Or: since there are only 38 chords in the list, so presumably they could be added to, and maybe even the I, ii, iii, IV, V, vi, and half-diminished vii of the pressed key could be in the additions.
Custom chord configurations, like on the Nymphes, would obviously be cool too.