Orest
7
I use scale per track and conditional trigs a lot, but not to create the longest and most complex patterns, but because I’m kinda lazy and try to avoid using more than one page per track
this somehow also helps me keep an better overview over a playing pattern and to time transitions correctly
A common trick (I think) is using the x:x conditions on nearby steps, while one step is maximally notched towards the other, so you can have a “longer” pattern with alternating notes on the “same” step