I use scale per track and conditional trigs a lot, but not to create the longest and most complex patterns, but because I’m kinda lazy and try to avoid using more than one page per track :sweat_smile: this somehow also helps me keep an better overview over a playing pattern and to time transitions correctly

A common trick (I think) is using the x:x conditions on nearby steps, while one step is maximally notched towards the other, so you can have a “longer” pattern with alternating notes on the “same” step