So presumably the pedal will send 0 and 127 to the performance knob? If this is the case perhaps F could be routed to manipulate the amp/filter envelope release setting thereby simulating a hold pedal. I’ll give this a try at some point and report back.[/quote]
Yep. That works! Sustain is achieved using a standard hold pedal connected to my MIDI controller.[/quote]
if you have a sustain pedal attached to a midi controller, isn’t it just sustaining the note, as opposed to passing the midi command
whilst it sounds like a canny workaround :+1:, it doesn’t give you a sustained gate as you point out which presumably means the sequencer could steal the next note as the sequencer isn’t actually playing, the note off has gone
i get why the a4 has no sustain pedal input but you’d have thought the keys would allow the internal note hold rather than passing the spurious cc[/quote]
Yeah. It’s only going to be effective in certain situations. Furthermore, sometimes a controller might send 0 and 64 (my Moog Sub 37 does this) instead of 0 and 127, so you won’t get infinite sustain. Although if you set the knob to bipolar, apply -127 to the depth, and then invert the pedal you can get it to sustain infinitely. So, both examples will do it. Of course none of it’ll get recorded into the sequencer. It’s more-or-less a performance workaround.